E.T.: THE EXTRA-TERRESTRIAL (PG) 115 minutes * * * * Director Steven Spielberg’s masterpiece of childhood adventure as young Henry Thomas makes contact with a small alien that has been stranded on Earth. John Williams score won an Oscar, as did the sound and visual effects, but what we remember most are the heartwarming moments of contact and communication between the children and a trusting alien. A modern classic that the studios never thought would last more than a couple of weeks at the theaters. Instead, “E.T. phone home” became a well-known quote, and the sales of Reeses Pieces reached new heights.
EAGLE VS. SHARK (R) 85 minutes * * * A quirky and sweet love story. Lily (Loren Horsley) has a crush on Jarrod (Jemaine Clement). Their awkwardness at relationships is well-matched, though when she meets Jarrod's family, we discover that Jarrod comes by his eccentric behavior honestly. The innocence and charm of Lily and Jarrod shine through the more unusual aspects of the other characters. If you want a love story with characters who are a bit on the unique side, this is the film for you. R for language, violence, and sex.
EARTHQUAKE (PG) 129 minutes * * 1/2 Not really one of the better disaster pics of te 70's, but well-known and worth a look. Charlton Heston, Ava Gardner, and George Kennedy head a stellar cast in this predictable film. Despite being so derivative, the film managed to win an Oscar for sound, a special achievement award for special effects, and citations for the development of “sensesurround”. With all the disaster films that are out there these days, it’s worth noting that some of these classics of the 70's set the tone for what we see today. So, buckle that safety belt on your recliner and get set to shake with “Earthquake”!
EASTERN PROMISES (R) 96 minutes * * 1/2 Anna (Naomi Watts) has discovered something about a baby she helped bring into the world. What she knows is putting her life at risk, but it's making her even more determined that she must see that the truth is told. Nikolai (Viggo Mortensen) is supposed to stop her. But he has a secret of his own. Fairly intense story, but a bit hard to follow at times. It's as if the pieces of the story that might have helped make it more complete were removed. Then again, the extra story might have made it too tedious... R for violence, sex, and language.
ED (PG) 88 minutes 1/2 Aside from the few cute scenes watching Doren Fein (as Liz) play with the ape, this story of a baseball playing monkey is a real waste. Billed as an animal comedy film for kids, this isn't funny, doesn't appeal to kids, and doesn't really have an animal as the star, though the ape mask is fairly well-made.
EDDIE (PG-13) 93 minutes * * Whoopi Goldberg is what makes this film bearable and somewhat entertaining. Her antics as a basketball fan who ends up becoming the coach of the team give us a few moments of fun. The pace sags dramatically after the first 25 minutes though, and it never really recovers.
EDDIE AND THE CRUISERS II: EDDIE LIVES (PG-13) 96 minutes * * 1/2 OK, the idea that Eddie didn't really die at the end of the first film and is living in Canada and working as a carpenter is a bit hard to take. If you can get past that, this isn't really a bad film. It's defintitely geared to those who loved the first one, and to those who are of the opinion that Elvis might still be alive... The soundtrack is quite nice and the story is, aside from the initial presumption, relatively good. PG-13 for language and sex.
THE EDGE (R) 113 minutes * * Anthony Hopkins and Alec Baldwin star in a story of conflict, challenge, and courage. Hopkins plays his character with an annoying coolness that seems a bit out of place when you consider that he suspects Baldwin of trying to kill him. The bear attacks are unrealistic, though they are a consistent line throughout the film. The best part of the film is watching the beautiful scenery of Alberta, Canada where this was filmed. R for violence and language.
EDTV (PG-13) 114 minutes * * 1/2 A TV network whose ratings have hit the skids tries a new approach... the life of an ordinary man, broadcast live, 24 hours a day. Matthew McConaughey is the one chosen, but his ordinary life soon becomes quite extraordinary as his popularity with the public grows. The film has a good bit of charm and it's fun to watch for this cast at work. Unfortunately, it never has the energy or depth we've come to expect from a Ron Howard film. Perhaps it lost something in the translation. The idea was already presented in the film Louis 19: Roi de Ondes and few films make the shift to an American approach with much success. PG-13 for language.
EDWARD SCISSORHANDS (PG-13) 100 minutes * * * * This is an original fairy tale/fable from the mind of director Tim Burton about a rather unique boy... and why it snows in California. Johnny Depp is perfect as Edward and is surrounded with an excellent supporting cast that includes the talents of Winona Ryder, Diane Wiest, Vincent Price, and Alan Arkin. Danny Elfman's music has the perfect combination of spooky and fanciful elements and Stan Winston's special effects work well with Burton's design for the picture. It's a very unique film and not something that everyone will enjoy. Those who do, will probably list it among their favorites. PG-13 for language and violence.
EIGHT BELOW (PG) 113 minutes * * 1/2 Suggested by the film "Nankyoku Monogatari" (also known as "Antarctica") this Disney version makes it all a bit nicer, and less realistic. The dogs here are very well-trained and do an excellent job... the people... not so much. Nice soundtrack by Mark Isham. PG for violence.
EIGHT CRAZY NIGHTS (PG-13) 70 minutes * Davey Stone is the major holiday humbug. Of course, that will change after 70-year-old Whitey takes him under his wing. This animated modern-day Scrooge story from Adam Sandler is most definitely rude and filled with rather immature humor, but does end up having a positive and somewhat sentimental point to make. The soundtrack is worth a listen, thanks to Sandler's creative song lyrics, but only die-hard fans will want to sit through the rest. PG-13 for language.
8 HEADS IN A DUFFEL BAG (R) 90 minutes * * * Joe Pesci has a delivery to make... and it isn't going to be easy. Especially not when your duffel bag gets picked up by the wrong person. Poor Charlie only wanted to have a nice vacation with his girlfriend and her parents, but finding body parts in your luggage can be a little unnerving. Newcomer Andy Comeau does a great job as Charlie, and Pesci and Kristy Swanson support him well. However, the poor acting by George Hamilton and Dyan Cannon really detracts from the overall effect. This is fun and a little bizarre, but not as polished as it needs to be. R for violence and language.
EIGHT LEGGED FREAKS (PG-13) 92 minutes * 1/2 You didn't really expect too much from a film with this title, now did you? A week after a toxic barrel of material ends up in a roadside pond, the crickets that breed there are fed to some spiders who end up growing to incredible size and wreak havoc on the neighboring town. The special effects for the spiders are quite nicely done throughout the film, but the story is beyond silly and somehow manages to miss being as much fun as the "Tremors" series. Be sure to listen for Joey Deluxe's version of "Itsy Bitsy SPider" that is sung during the ending credits. PG-13 for violence and language.
EIGHT MEN OUT (PG) 115 minutes * * * Intriguing character studies are the focus of this film about the 1919 world series and the corruption and scandal that surrounded it. Great performances from John Cusack, Charlie Sheen, Perry Lang, and the the rest. Director John Sayles enjoys working a character and it's quite evident in a film like this. PG for language.
8 MILE (R) 106 minutes * * Like so many people, Jimmy (Eminem) is just trying to catch a break, but sometimes its hard to tell who your friends really are. There are some nice performances here from Brittany Murphy and Mekhi Phifer. Eminem does a nice job as well in his acting debut, though its nothing to rave about. Kim Basinger's performance is typically two-dimensional, though much of the film suffers from this problem as well.
8MM (R) 120 minutes * * 1/2 Tom Welles (Nicolas Cage) has been hired to find out if a particular film, found by the widow of a wealthy man, is really a snuff film. Was the girl actually killed? But trying to identify someone in a snuff film involves immersing yourself in the culture that produces films of that nature. The film plods along, much like the investigation, buoyed only by Cage's performance. It's his story - a descent into hell to discover the truth that few want to see and fewer still can do anything about. R for violence, language, and sex.
8 SECONDS (PG-13) 93 minutes * * Bio-pic dealing with rodeo star Lane Frost (Luke Perry) and his meteoric ride to the top of the circuit. Cynthia Geary stars as his wife, and the film tries to tug on our emotions, but it tries too hard. Undoubtedly has more appeal to those interested in the rodeo circuit, but even so, there are better films than this to watch on the topic.
8 WOMEN (R) 107 minutes * * * One man and eight women. Now that he's been found dead, which of them is the guilty one? It's rare to find a murder mystery as entertaining as this, but it's quite fun. Adapted from Robert Thomas' play, it does get a little talky at times, but with actresses like Catherine Deneuve, Isabelle Huppert, Fanny Ardant, and Emmanuelle Beart, it's still a pleasure. Suspicion passes from woman to woman as more and more details are uncovered, drawing us deeper and deeper into the twisted web that they've all woven a few strands into. R for sexual content.
18 AGAIN (PG) 98 minutes * * * Pleasant, light comedy about body-switching, with the added charm of Georga Burns going a long way toward helping it succeed. Charlie Schlatter does a nice job as well, despite a few inconsistencies. Some nice supporting work from Red Buttons and Bernard Fox as well in this family-style comedy.
88 MINUTES (R) 103 minutes * * 1/2 College professor and forensic psychiatrist Jack Gramm (Al Pacino) has 88 minutes to discover who is going to kill him and to do something about it. But there are so many possibilities... Pacino is good here, though the story does let us down by not being all that intense. The idea is interesting, to be sure, but we're not surprised by the twists and turns, and the 88 minutes seem to move rather slowly. As he explores the possibilities, and looks at choices he has made in the past, Gramm reminds us of an important question to keep in mind... "Justice and truth... where do they intersect?" R for violence, language, and nudity.
ELECTION (R) 100 minutes * In an effort to keep the advances of a student at bay, Mr. McAllister (Matthew Broderick) convinces another student to run for student council president. Everything that can go wrong, does. And we don't really care. These are characters who are hard for us to sympathize with. Broderick is a complainer, Reese Witherspoon is a brat, and the rest of the cast is completely forgettable. The subplots that are meant to involve us in the characters' lives, when the real interesting part of the story is the interaction of the leads and why they are acting this way. Shabby production quality also manages to damage the films' credibility. Aside from a few humorous moments that do manage to capture the emotional trauma of high school life, this has little to offer. R for language.
ELEKTRA (PG-13) 89 minutes * * 1/2 Sent on an assignment to kill a man and his daughter, Elektra (Jennifer Garner) senses that something isn't right and moves to protect them instead. Garner is good here, though that's no surprise with the work she does on "Alias". Kirsten Prout does an admirable job as young Abby Miller as well. Those who follow the comic book character from which this is taken will notice that the character of Elektra is a bit more emotional here, instead of the more distant and cold character we were familiar with. PG-13 for language and violence.
11:14 (R) 81 minutes * * One evening, at 11:14pm, the lives of a number of people will intersect in a variety of ways... hmmm... haven't we heard this before? That could be forgiven if the story was well-written, but it's not. There are a few good scenes here and there, thanks to the acting talents of Hilary Swank, but too much of this is a good idea gone very mediocre. R for language, violence, and sex.
ELF (PG) 90 minutes * * 1/2 Buddy (Will Ferrell) thought he was an elf. He was raised by elves at the North Pole, but the time has come for him to learn the truth... and to go and be with his human family. It's a tall order, and one that will need more than a fair share of the Christmas spirit to work. There's far more sentimentality and holiday spirit here than one might expect, and it does get a bit silly in spots, undermining the effect a little. Ferrell seems sincere enough and Zooey Deschanel does a nice job as well. PG for language.
ELIZABETH (R) 119 minutes * * * Elaborate sets and beautiful costumes are plentiful in this story of the rise of Elizabeth to the throne of England. The intrigue is a bit hard to follow early on, though part of this is due to most Americans lack of familiarity with British history. Later in the film this isn't a problem though, and we find ourselves immersed in the story. It's a bit gratuitously graphic in spots, but overall, it's a wonderful piece about the history behind Elizabeth's coming to power. R for violence and sex.
ELIZABETH: THE GOLDEN AGE (PG-13) 106 minutes * * * Cate Blanchett returns to the role of Elizabeth for director Shekhar Kapur's continuation of the story. The Holy War continues, and the only thing that stands between King Philip II of Spain and victory is England... and Elizabeth. While her ways are a bit unorthodox and the Catholic church continues to try to remove her from the throne, Elizabeth will not be move. Though momentarily blinded by love, it is Elizabeth's passion for life and for freedom that inspire the people to fight. That passion coupled with the rough English seas spell defeat for the Spanish Armada... and the beginning of the golden age of England. The story strays a bit here, though Blanchett carries it all quite well. PG-13 for violence and nudity.
ELIZABETHTOWN (PG-13) 117 minutes * * * Drew Baylor (Orlando Bloom) has just had the worst day of his life, discovering that he has lost almost a billion dollars for the company he works for, only to get a phone call about the death of his father. Somehow, he finds the strength to make the flight home, which is where he meets Claire (Kirsten Dunst). She is almost annoyingly positive in her attitude, but he can't help but be drawn to her. Yes, it's sentimental, though there are definitely bits of comedy worked in to keep it from getting too bad. In fact, the shifts in mood throughout the film are nicely balanced. The story tends to ramble a bit though and the narration isn't really necessary. PG-13 for language.
ELLA ENCHANTED (PG-13) 89 minutes * * 1/2 When Ella was a baby, a spell of obedience was cast on her and she has to do what anyone tells her to do. Now that she's a teenager, it's getting to be more than a bit frustrating. Full of puns and witty little bits of dialogue and creative sets and props, this is a wonderfully creative adaptation of Gail Carson Levine's book. The music is delightful as well, with Anne Hathaway doing her own singing. There's so much focus on all the witty bits that we don't get very much story though. And, while Hathaway does a nice job with the musical numbers, her acting offers little depth. PG-13 for language.
ELLEN FOSTER (PG) 97 minutes * * * Jena Malone is sheer perfection as she plays Ellen Hammond, a girl who wants more than anythng else to find a home where she can be loved after her mother dies. Malone is captivating and sincere and carries the film well. She is able to show an understanding of her character that many actors never achieve. As with many sentimental dramas, supporting characters are frequently a bit two-dimensional. But the film remains a strong statement for the worth of love over that of blood ties. Bravo, Jena! PG for language and violence.
ELVIRA: MISTRESS OF THE DARK (PG-13) 93 minutes * The plot is, for those of you familiar with Elvira, no more substantial than her costume. It's mostly about how she's trying to get money together for an act she wants to do in Vegas. The jokes refer almost exclusively to her figure and grow boring rather quickly. There are a few spooky effects and the music is mildly entertaining, but one of the better points is the showcasing of her car. Elvira's style of comedy works fairly well when it's limited ot a few remarks before a commercial break on television. But an hour and a half? PG-13 for her costumes and a little bit of suggestive language.
EMMA (PG) 118 minutes * * * 1/2 Gwyneth Paltrow is absolutely charming as Emma Woodhouse, a young matchmaker who finally gets in over her head in this classic story. Greta Scacchi and Toni Collette are perfect counterparts to Paltrow, and the looks between them add a character to this that makes it thoroughly entertaining. There are those who critique this in light of its inaccuracies in adapting the book to the screen, but in light of how fun the final product is to watch, I think that can be forgiven. PG for language.
EMMANUEL'S GIFT (G) 77 minutes * * * Inspirational film about Emmanuel Ofosu Yeboah, who rode a bike across his native Ghana, changing the perception of people across the world about people with physical challenges. We meet those who inspired him along the way, and many of those who his example has touched. Never one to give up, Emmanuel has accomplished things that many would never have dreamed possibile.
THE EMPEROR'S CLUB (PG-13) 105 minutes * * * What will your contribution be? What do we learn and what do we teach? Kevin Kline plays the part of a teacher at St. Benedict's where he teaches history and builds character in the lives of his students. It's a great story, and though we've heard it before, the gentle twists and turns here are nicely played by Kline and the rest and accented well by a stirring soundtrack from James Newton Howard. PG-13 for language.
THE EMPEROR'S NEW GROOVE (G) 72 minutes * * * A bratty young emperor gets himself changed into a llama. Eventually, he learns the value of cooperation and what it means to erally care about others. OK, that may not sound all that impressive, but it's actually a pretty cute story and works quite well. David Spade and John Goodman lend their voices to the lead characters and the result is a film for kids that most parents won't mind watching.
EMPIRE (R) 95 minutes * Victor (John Leguizamo) deals drugs. He's not the biggest fish in the lake, but he's pretty high up on the chain. He's decided that it's time to get out of the business and take advantage of an investment opportunity that has fallen into his lap. It's obvious to us that he's being played, but even when he does realize, he hopes to turn it around to his advantage. The film has alot of heart, but relies too heavily on Leguizamo to carry it all by himself. He does his best, but with so little help, this just never gets off the ground. Isabella Rosselini is sadly miscast here as well. Filmed in New York and Miami. R for language, violence, and sex.
EMPLOYEE OF THE MONTH (R) 92 minutes * David Walsh (Matt Dillon) is having a bad day. He just got fired and now his fiancee is breaking up with him. So what else can go wrong? How about being in a one-note joke of a film? The twist that happens at the end of the film explains it all, but it also undermines a good deal of the story along the way. If you already lasted that long, be sure to go ahead and watch the credits as there's another "surprise" that you'll see there as well. R for language, violence, and nudity.
EMPLOYEE OF THE MONTH (2006) (PG-13) 102 minutes 1/2 Vince is about th complete his 18th straight month as employee of the month. It's a record for the Super Club chain of stores. Zack decides to try and stop him. It doesn't hurt that the pretty new girl that just started working there is supposed to have a thing for employees of the month. It's pretty much as bad as it sounds, with only a couple of chuckles. It takes itself far too seriously and sorely wastes the comedic talents of Andy Dick and Harland Williams. PG-13 for language.
ENCHANTED (PG) 99 minutes * * * 1/2 What would happen if a fairytale became real? Just ask Disney Studios! No one has more experience at making it happen. (Like it or not.) Delightful, silly, and romantic, with an absolutely enchanting (sorry, I had to say it) performance from Amy Adams. Her performance as Giselle makes thisa treat to watch, though it's difficult to find much fault with this at all. Three of the songs were nominated for Oscars and this is sure-fire entertainment for the whole family. PG for violence.
ENCHANTED APRIL (PG) 91 minutes * * * 1/2 Two married women decide that they've had enough of their ordinary, and frequently frustrating lives. The decide to leave their London apartments for a month and rent a castle in Ireland. Two other women join them at the last minute to share in the expense. The place isn't quite what they expect, and yet it is even more. They find that this castle is magical. Not is a superstitious way, but magical in the way that any special place or time can be if we will only let it. An enchanting and beautiful film, full of the drama and humor of life. A real delight to watch and experience. PG for language.
ENCINO MAN (PG) 84 minutes * Weak comedy about a prehistoric man being defrosted and living in Encino. Pauly Shore is the best thing about this film, if that gives you any ideas about whether you'll like it or not...
END OF DAYS (R) 115 minutes * 1/2 This action/thriller stars Arnold Schwarzenegger as Jericho, a man who finds himself protecting a woman who is the key to the "end of days". There's plenty of action, but little in the way of logic as we are immersed in Christian symbolism and literal interpretations from the book of Revelation. There are lots of very impressive special effects courtesy of Stan Winston and a few others, as well as a nice soundtrack from John Debney. The shallow story can't keep us interested though, and we get tired of the special effects after awhile too. Filmed in Los Angeles and New York. R for violence, language, and nudity.
THE END OF THE AFFAIR (R) 98 minutes * The acting talent of Stephen Rea is completely wasted in this sappy, and overly-dramatic love story. Ralph Fiennes and Julianne Moore spend the majority of the film in bed, leaving their acting talents with little for us to appreciate either. And, as if things weren't bad enough, a huge portion of the film is repeated to show us a different viewpoint. The problem is that there's very little that is different as far as the repeated scenes. Some muttered words here and a few thoughts there, but it makes this tedious to watch to say the least. Filmed in London and Brighton. R for sex.
END OF THE SPEAR (PG-13) 105 minutes * * * The Waodani are a fierce tribe in the jungles of Ecuador. Establishing contact with them, some Christian missionaries think they've begun the work they'd dreamed of, only to have the Waodani kill their first team. While the ways of peace eventually find their way into the world of the Waodani, it's no small task to change the warrior ways of a people who have known nothing else. Nicely made film that definitely has some appeal, but if you find it interesting, you should really take a look at the documentary "Beyond the Gates" by the same director. PG-13 for violence.
THE ENDLESS SUMMER II (PG) 106 minutes * * The sequel to Bruce Brown's 1966 surfing film follows "Wingnut" Weaver and Pat O'Connell around the globe while Bruce narrates. The camerawork is wonderful, but this still feels more like Bruce's home movies than a feature film presentation. It also drags on a bit long with "accidents" that are obviously staged to try and add to the story.
ENDURING LOVE (R) 95 minutes * * 1/2 After witnessing a tragic ballooning accident, Joe (Daniel Craig) is plagued with guilt. It overpowers even his relationship with Claire (Samantha Morton). Jed (Rhys Ifans) also witnessed the accident and is trying to deal with his own emotions. He becomes obsessed with Joe, who wants nothing more than to be able to forget that it happened. In one sense, it is an interesting story about how accidents can change our lives. It remains a bit too philosophical though and doesn't allow us to connect as well with the characters as we need to if we're to really feel the struggles they are facing. R for language and violence.
ENEMIES: A LOVE STORY (R) 115 minutes * * * Herman Broder (Ron Silver) has a problem. He can't survive on the attentions of just one woman. As the film begins, he is living with Yadwiga (Margaret Sophie Stein) and having an affair with Masha (Lena Olin). He loves them both, and is juggling things fairly well until his wife, who was presumed dead, shows up. Though this sounds like it could be a comedy, it isn't. Broder is used to hiding, but now he may have to face the music. Well-acted and with a nice script that producer/director Paul Mazursky co-wrote, it's an interesting character study. R for language and sex.
ENEMY AT THE GATES (R) 124 minutes * * * In times of war, heroes are needed to provide inspiration to those who are fighting for the cause. Vassili Zeitsev becomes one such hero, though he has no desire to be considered one. He was in the right place at the right time, but isn't that what often makes heroes? Now the Germans have sent their best sniper to take him out. The acting is good here, but the accents get in the way. with a mix of American and British actors playing the parts of Russians and Germans, it gets a little muddled. The language is also somewhat stilted, though the strength of the story manages to overcome that in many ways. Sets, costumes, and props also provide an authentic feel to the film, and we feel the tension build as loyalties are tested and as a hero struggles to just be a man. R for violence, sex, and language.
ENEMY OF THE STATE (R) 127 minutes * * The game of politics can be rough, but when Thomas Reynolds (Jon Voigt) has Phil Hammersley (Jason Robards) killed, he's gone a bit too far. The deed was captured on tape as well, and now the hunt is on. Will Smith does a fine job as the "innocent" who is in possession of the tape. There are also a number of other fine supporting performances by Gene Hackman, Jason Lee, Gabriel Byrne, Seth Green, and several others. Unfortunately, the film is just too long. Cutting about ten minutes would also help the pacing which seems to drag at several points. R for violence and language.
THE ENGLISH PATIENT (R) 158 minutes * * * 1/2 Beautifully painted picture that does drag in a few spots, but over-all is a real work of art. The scene changes are poetic, and the story of wartime romance draws you into the film and carries you away. Taken from the novel by Michael Ondaantje, and with wonderful performances by Ralph Fiennes, Juliette Binoche, and many more, this is a must-see for those who enjoy artistic film. Filmed in Italy and Tunisia. R for sex and violence.
THE ENGLISHMAN WHO WENT UP A HILL BUT CAME DOWN A MOUNTAIN (PG) 92 minutes * * * 1/2 Based on a Welsh legend, this is the story of a mountain called a hill, turned into a mountain. The local "characters" are what make this film come alive as the story is fairly simple. Still, it's one that keeps you smiling the whole way through.
ENOUGH (PG-13) 110 minutes * * He was the nicest guy she'd ever found and things were working out perfectly until she discovered he was having an affair. He thinks its the perfect arrangement, but she wants it to end. He tries to force the issue, and she finally decides she's had enough. Jennifer Lopez does a reasonably good job and the rest of the cast is fine as well. In fact, Tessa Allen's performance as her daughter is quite good. The story is full of holes though. Some of them are minor, but some are far too evident to ignore and it ruins the integrity of the film. PG-13 for violence and language.
ENRON: THE SMARTEST GUYS IN THE ROOM (R) 107 minutes * * * Unflinching look at the collapse of corporate energy giant Enron. Follows the story from the creation of the company all the way through to the finals days when the corporate elite walked out with over a billion dollars while the bulk of the staff got next to nothing. Justice was finally served, but the scales still aren't very balanced. Nice piece of work that will leave you even more frustrated with the corporate world than you were before! Be sure to stick around for Tom Waits' "God's Away on Business" during the credits! R for language.
ENTRAPMENT (PG-13) 107 minutes * * * He's a master thief and she is out to catch him. But how will she be able to do that when he's the best there is? This does take its time to build and the plot twists come along a bit too methodically, but Sean Connery always makes a film worth watching and Catherine Zeta-Jones plays well off of Connery's experienced charm. The ending pushes believability a bit far, but manages to stay just within the limits it needs to for this to be an entertaining film. PG-13 for language and violence.
ENVY (PG-13) 95 minutes * * Tim and Nick have been friends for ages. Tim (Ben Stiller) is the practical one, Nick (Jack Black) is the dreamer. Nick's idea to create a spray that will vaporize dog poop seems like a silly idea to Tim... until it works and Nick becomes incredibly rich. It's lightweight entertainment with a heavy-handed presentation of the moral about appreciating what you have and being honest. PG-13 for language.
EPIC MOVIE (PG-13) 69 minutes BOMB Yet another parody film, spending most of its time making fun of "The Lion the Witch and the Wardrobe" and "Charlie and the Chocolate Factory", but managing to throw in several others along the way. Sorely missing the talented Anna Faris, though they have someone acting like her. All that does is remind us how bad this really is. PG-13 for sex, language, and violence.
ERAGON (PG) 97 minutes * * Somewhat disappointing adaptation of Christopher Paolini's novel about a boy who discovers a dragon's egg, and that he is the dragonrider who will save the kingdom from it's evil king. The dragon effects are very good, and Rachel Weisz does a nice job providing it's voice, but the story is two-dimensional and poorly paced. The ending clearly indicates that there are plans for more films, but they will likely be straight to video productions if they are made at all. PG for violence.
ERASER (R) 109 minutes * * 1/2 Multiple writers on this script give us an awkward mix of action, mystery, and comic entertainment that just doesn't wash. The action is fairly steady and the basic idea of someone's identity being erased presents some interesting possibilities. But nothing really interesting happens here... it's the same old story rehashed one more time. It does play a little better on video than the big screen, but it's not one of Arnold Schwarzenegger's better films.
ERIK THE VIKING (PG-13) 102 minutes * 1/2 Or, the misadventures of Erik according to the Monty Python school of comedy. Not as sharp-edged as most Python films, though it is interesting to see people like Tim Robbins, Eartha Kitt, and Mickey Rooney in this kind of satire.
ERIN BROCKOVICH (R) 126 minutes * * * Erin (Julia Roberts) hasn't had much luck lately. Begging her way into a job at a law firm as a filing clerk, she stumbles across a case that intrigues her. Pursuing it as only she can do, it becomes a case that will make or break the firm and the lives of hundreds of people in a small town whose water has been contaminated. Roberts does a nice job here and it's wonderful to see Albert Finney at work as well. The focus is on the characters and not the legal/political/environmental issues, but that's nice for a change. Adapted from a true story, liberties have been taken to make it more entertaining, and for the most part, it works pretty well. R for language.
ERNEST GOES TO CAMP (PG) 89 minutes * * 1/2 Typical story of a corporation trying to buy up a campground. Jim Varney's scenes are great, but they aren't the focus of the film, which is too bad. The 6-10 year-old crowd will enjoy this and parents will find it worth a chuckle here and there.
ERNEST GOES TO JAIL (PG) 77 minutes * 1/2 Ernest ends up in jail thanks to a switch planned by an evil lookalike. There are a few chuckles here and there, but it's mostly for young fans of Jim Varney's character. This is the third of the Ernest films and the series has begun to grow tiresome. PG for language.
ERNEST RIDES AGAIN (PG) 90 minutes BOMB Even Ernest fanatics might find this entry a bit tedious as Ernest romps through the countryside, looking for a giant cannon that may lead to the hiding place of the crown jewels of England. Prat falls and prop jokes that all get tiresome very quickly.
ERNEST SAVES CHRISTMAS (PG) 87 minutes * * * * A wonderfully wholesome Christmas message wrapped in a delightfully funny story with that crazy Ernest. By far the best of the Ernest films, with a perfect mix of comedy and drama. PG for language, but not very much.
ERNEST SCARED STUPID (PG) 88 minutes * 1/2 Well, Ernest was pretty stupid before this anyway... this time he faces off with an evil troll. There are a few funny bits thanks to some props and Jim Varney's ability to make an inanimate object appear more intelligent than himself. PG for some gross special effects.
ESCAPE FROM L.A. (R) 96 minutes * 1/2 Though much of the same talent is here for the second outing, this film has little of the energy and excitement that made the first one so appealing. There are too many tricks and toys and not enough meat to the story to keep us interested. They also opted to include more humor in this film, and it doesn't work very well. This type of story needs that harder edge to pull us in and make things interesting. R for language and violence.
ETERNAL SUNSHINE OF THE SPOTLESS MIND (R) 103 minutes * * * * Screenwriter Charlie Kaufman has the incredible talent of being able to create characters that are instantly appealing despite, or perhaps because of, their unusual qualities. This time, we have Joel Barish, a man who has finally found someone to love, only to find that she has erased him from her memory. That's what Lacuna Inc. does... erase memories. Except, there may be a problem with the procedure. It's yet another perfect script from Kaufman that asks us to think about what happens when you start to forget. What do you do when every memory you hold on to slips through your fingers and when everything you love is vanishing from your mind like smoke in the wind? Kate Winslet does an awesome job here and Jim Carrey delivers his most sensitive performance ever. The title comes from a quote by Alexander Pope, "How happy is the blamesless vestal's lot, the world forgetting, the the world forgot. Eternal sunshine of the spotless mind! Each prayer accepted, each wish resigned." If you're a Jim Carrey fan, you'll need to be thinking about "The Truman Show" and "Majestic". R for language.
EUROTRIP (R) 84 minutes * Dumped by his girlfried, Scott ends up on a trip to Berlin to try and find Mika, his true love that he met online and accidentally told to "get lost". A few moments of "cute" here, but it's definitely not enough to really make it worth watching. Matt Damon has a cameo as a rock singer and Lucy Lawless has a small part as an S&M mistress... R for sex and language.
EVAN ALMIGHTY (PG) 88 minutes * Evan (Steve Carrell) is starting his new job as a junior congressman tody... but God has another job for him to do first. It involves building an ark. A few sentimental moments, lots of nonsensical ones, and little reason for us to remember either. Carrell can be funny at times, but he's trying too hard here. PG for language and violence.
EVE OF DESTRUCTION (R) 96 minutes * 1/2 This twist on the Frankenstein story has a female monster running amok, but for all the slick production values and good music from Philippe Sarde, it just isn't ever really suspenseful. Maybe it's that B-movie script... Gregory Hines really tries to make this work, but it just never gets very far off the ground.
EVEN COWGIRLS GET THE BLUES (R) 91 minutes * An incredible cast does an atrocious job in this bizarre film about a girl with a huge thumb that makes her the perfect hitchhiker. By far, this is Uma Thurman's worst film, with it's strange mix of women's rights and cowgirls paraded before us with bad dialogue and horrible direction.
EVENING (PG-13) 112 minutes * * * * Memories... at the end of life. Memories of what was, what might have been, and what it all means to us and to those we leave behind. So much of it doesn't matter in the end. But then again, so much of it does. Vanessa Redgrave adds yet another stellar performance to her resume, but she is only one of many very talented actresses who all deliver wonderful performances here. Toni Collette, Natasha Richardson, Claire Danes, Meryl Streep, Mamie Gummer, Glenn Close... wow! Many of the scene changes from one time frame to the other are sheer magic. Adapted from the book by Susan Minot and filmed in Rhose Island. PG-13 for language and violence.
EVENING STAR (PG-13) * * * The evening star is the first to shine, the brightest, and the longest. This sequel to 1983's "Terms of Endearment" doesn't really have the strength it needs until the final half hour or so. The early scenes are uneven and disconnected, keeping us at arms length from the characters. Marion Ross delivers the best performance in the film, though Jack Nicholson's appearance toward the end helps give this the extra charisma that it needs. PG-13 for language and sex.
EVENT HORIZON (R) 91 minutes * This "Hellraiser"-in-space film never gives us enough of what we need to understand much of anything. The deep space vehicle disappears, goes to a dimension of chaos and pure evil (read: Hell), returns and has some connection to Dr. Weir, who designed it, and now wants to take a ride on it to go there. ? There are some nice special effects, but without more to explain who Dr. Weir is and why he feels a desire to go to Hell on this ship, we're left with nothing to interest us. The cheap noise scares don't help the integrity of the film either. R for violence, language, and nudity.
EVER AFTER (PG-13) 117 minutes * * The "real" Cinderella story, told here in an extended flashback format, stars Drew Barrymore and Dougray Scott, with Anjelica Huston as the evil stepmother. It's an interesting idea, and there are some beautiful costumes and sets, but the British accents don't fit when the story is set in France. Of course, there's always the problem we have with Drew trying to do a serious role... she has a hard time keeping a straight face. Scott is likeable enough and fits the role well, so the film has an unbalanced feel to it that keeps us from being drawn in by the fairytale as we should be. Filmed in France. PG-13 for language.
EVERYBODY WINS (R) 94 minutes * 1/2 Strange little film about a private eye and a hooker, but Nick Nolte and Debra Winger are never able to overcome the convoluted story and nearly non-existent direction. The screenplay is by Arthur Miller from his one-act play, "Some Kind of Love Story".
EVERYBODY'S ALL AMERICAN (R) 122 minutes * * * Absorbing tale, adapted from Frank Deford's novel, of an American football hero who married a homecoming queen and their lives after high school. Told from her point of view, it's an excellent study of American culture from the 50s to the 70s. The period detail is well done and both Dennis Quaid and Jessica Lange give solid performances. R for violence and language.
EVERYONE'S HERO (G) 84 minutes * * * It's the Yankees and the Cubs in the world series, but someone has stolen Babe Ruth's lucky bat. Yankee Irving knows that he has to get it back to the Babe, or the Yankees will lose. Can he make it from New York to Chicago in time? Great adventure story for the younger ones in the audience, and fun for the older crowd as well. (OK, fans of the Cubs might not be too happy...) This was the last project for both Christopher and Dana Reeve, and is a heartwarming and inspirational tribute to their lives. Everyone has it in themselves to be a hero.
EVERYTHING IS ILLUMINATED (PG-13) 102 minutes * * * 1/2 Liev Schreiber makes his directing debut with this wonderfully quirky film about a young man (Elijah Wood) who is trying to find the woman who saved his grandfather from the Nazis in World War II. Jonathan's search gets off to a rough start when he meets his guide and translator (Eugene Hutz), a rather unusual guy who isn't thrilled about being a guide and has some problems with the english language. The film starts on a rather uneven and slightly comic note, but as they all begin to understand, so do we, and the tone becomes more serious. Wood is terrific as usual, and Hutz provides the perfect counterpoint, at first aggravating the situation and then becoming more of a guide than he expected. Schreiber does a wonderful job with both the direction and the screenplay, which he adapted from Jonathan Safran Foer's novel. Most importantly, he allows time for the camera to talk rather than cluttering up every scene with dialogue. Nicely done! PG-13 for language and violence.
EVE'S BAYOU (R) 104 minutes * * * 1/2 This is the story of a family with roots that run strong and deep. They live in Louisiana bayou country, where tradition and mystery are rich and plentiful. We begin by hearing Eve tell us that the summer she killed her father, she was ten years old. An interesting beginning to a fascinating and intense story. At times it is haunting, dark, and mysterious, yet at some points quite humorous. It is a story of coming of age in the bayou, and what it means to one young girl and her family. Journee Smollett, who plays young Eve, is a talent to watch and the film will definitely be one that you remember for a long time. R for language and violence.
EVITA (PG) 128 minutes * * * This film is a wonderful example of the incredible power of music to move the viewer. The varied strains of "Don't Cry for Me Argentina" create so many moods and move us through the story as we watch Madonna's portrayal of Eva Duarte Peron. The music has become a bit dated, considering when this first opened as a musical on Broadway, but it's still a powerful story and a pleasure to watch. Madonna gives us a powerful performance, supported well by Antonio Banderas' animated portrayal of Che', who narrates the story as it moves along. PG for language, sex, and violence.
EVOLUTION (PG-13) 95 minutes * 1/2 "Ghostbusters" meets "Tremors" in this comic science fiction misfire. This has neither the great cast or the ability to keep a straight face that it needs to succeed. It tries too hard to be funny and more frequently makes us wince. Granted, the special effects are nice and the music works well. It's nice to see Dan Aykroyd in a bit part given the flavor of the film, but you'll be better served by watching one of the other two films rather than this one. PG-13 for language and violence.
THE EX (PG-13) 82 minutes * * Tom (Zach Braff) couldn't have picked a worse time to stand up to his boss. Now he's out of work and soon to be a father. Now he'll have to work for his father-in-law. That might not be too bad, except that an old high school pal of his wife's, who also works there, has it in for him. Braff does a nice job here, but this is little more than fluff. A mildly pleasant diversion, but nothing more. Also starring Amanda Peet, Jason Bateman, and Charles Grodin. PG-13 for nudity and language.
EXCESS BAGGAGE (PG-13) 96 minutes * 1/2 Arranging her own kidnapping in an effort to see how much her father loves her, Emily (Alicia Silverstone) get more than what she bargained for. The car she hides in is stolen and she is attracted to the car thief who finds himself in a real predicament. The most interesting character is Emily's uncle, played by Chris Walken. Unfortunately, the film suffers from poor direction of a script that just wanders around. A good idea for a film, but poorly executed. PG-13 for language and violence.
EXCESSIVE FORCE (R) 82 minutes * 1/2 Pretty much run of the mill story of a cop accused of setting up his partners on a murder rap while he walks away with millions. The difference here is that writer/co-producer/actor Thomas Ian Griffith has created a character that is a martial artist/cop/musician. Interesting, but not enough to carry the film.
EXECUTIVE DECISION (R) 127 minutes * * 1/2 When terrorists hijack a 747 with enough explosives on board to wipe out the entire Eastern seaboard of the United States, it's a good thing to know that Kurt Russell is on board to save the day! A good supporting cast and a nice soundtrack by Jerry Goldsmith help keep this exciting and interesting. A little on the long side, but worth watching. R for language and violence.
EXIT TO EDEN (R) 109 minutes * 1/2 Going undercover to break up a diamond smuggling ring was never so kinky. Dan Aykroyd and Rosie O'Donnell go to a fantasy island that specializes in S&M. The mix of sex, comedy, and intrigue doesn't work very well here, making us feel like we're watching at least two movies at once. (Neither one very good.) Based on a novel by Anne Rice.
EXIT WOUNDS (R) 95 minutes * 1/2 He's a tough cop who always seems to be stumbling across trouble. Now, Orin Boyd (Steven Seagal) had been transferred to the 15th precinct, filled with nasty criminals and dirty cops. I'm not sure how this qualifies as "punishment", but anyway... a couple of standard plot twists later, and everything works out for Boyd by the time we reach the end of the film. There are a few nice fight moves, but too often they're done with cut-shots and with too little light for us to see very much. They try to add a little humor with Tom Arnold's character, but that doesn't work too well either. R for violence, language, and nudity.
THE EXONERATED (NR) 87 minutes * * * Originally presented as a play, this is the story of six people who were sentenced to death and later exonerated. Told in their own words, and presented by a wonderfully talented cast, whose presentations immediately involve us in the stories. It's a well-crafted reminder that, while there are people in prison who are guilty, the system is far from perfect, and there are people who are innocent as well. Featuring Brian Dennehy, Danny Glover, Delroy Lindo, Susan Sarandon, Aidan Quinn, and David Brown Jr.
THE EXORCISM OF EMILY ROSE (PG-13) 115 minutes * * 1/2 Emily Rose is dead, but how did she die? Was it epilepsy with psychotic complications that could have been controlled through medication, or was she possessed by a demon or demons? And how much does what a person believe control how they can best be helped? Laura Linney does great work here, showing an intensity as she struggles not only with how to defend her client but as a person who is struggling with her own beliefs and experiences. Filmed in Vancouver.
EXORCIST: THE BEGINNING (R) 106 minutes * * Gory prequel to the classic horror film that shows us Father Merrin's (Stellan Skarsgard) first encounter with the demon Panzuzu. Editing needed some work here, but there are some nice, and expectedly gross, special effects and a nice soundtrack from Trevor Rabin. It's an interesting, though not all that necessary addition to the series. It does end quite nicely though, setting the stage for the first film. R for violence and language.
EXORCIST III (R) 106 minutes * * 1/2 Based on William Peter Blatty's novel, Legion, this is a continuation of the earlier story. The priest from part one has been possessed by the spirit of a killer. There is a good deal of suspense here, with little in the way of gore. The difficulty is that so much of this relies on your having seen the first films, answering questions that were raised there. It makes the film weak in that it doesn't stand alone, but it does make a good companion piece.
EXOTICA (R) 101 minutes 1/2 Amazingly enough, this won as award as Canada's best film of the year... it's a strange little piece that tries to trade on the voyeuristic, but delivers little eroticism or intrigue. Eventually we learn what links our five characters together, but by then, we don't really care anymore. Written, produced, and directed by Atom Egoyan.
EXTREME MEASURES (R) 114 minutes * * 1/2 Overly dramatic presentation of hospital ethics gone bad as Gene Hackman experiments on the homeless to help medical science progress. Sarah Jessica Parker (with very bad make-up) co-stars along with Hugh Grant (looking a little too slick and suave) in this film that starts and finishes well, but plods along far too much in-between. R for violence and language.
EXTREME OPS (PG-13) 89 minutes 1/2 They're extreme athletes, working on a new commercial that will have them skiing down a mountain in from of a real avalanche. The problem is that the mountain they choose, just happens to be the current hideout of a very evil international criminal. Mostly an extreme skiing/snowboarding movie with a little bit of violence added to try and give us more of a story. Two-dimensional at best. The stuntwork is quite good in sopts, but the ending is just too ridiculous. PG-13 for violence, nudity, and language.
EXTREME PREJUDICE (R) 100 minutes * * 1/2 Jack Benteen (Nick Nolte) and Cash Bailey (Powers Boothe) grew up as best friends. Somewheer along the line, things changed. Now Jack is a Texas Ranger and Cash is a multimillionaire drug lord based in Mexico. When Cash starts dealing in Texas, Benteen has to step in. The real problem is the special team the government sends in. Terminating with extreme prejudice seems to be the only way they know how to work. Story seems to play a bit too much for humor toward the end. Also featuring Michael Ironside, Rip Torn, Clancy Brown, and William Forsythe.
EYE FOR AN EYE (R) 97 minutes * * Sally Field is a vigilante in pursuit of her daughter's rapists. Extreme enough to be compared to the "Death Wish" films, but more far-fetched. It's a shallow story that wastes the talents of Field, Kiefer Sutherland, Ed Harris, and others. Taken from Erika Holzer's novel, this is little more than gratuitous violence in the guise of vengeance.
EYE OF THE BEAST (NR) 87 minutes 1/2 What's been killing all of the fish in the lake? Could it be a giant squid? James Van der Beek stars in this ridiculous sea-monster movie. Low-budget script and even lower budget effects make this one to avoid.
EYE OF THE BEHOLDER (R) 97 minutes * * * Strange, but interesting film about a British secret service agent, Lucky Wilson (Ewan McGregor), and his latest case. He's hired to watch a woman who is suspected of having an affair, only to witness her commit a murder. He finds himself inexplicably attracted to her, wanting to protect her. McGregor and Ashley Judd both do nice work here, letting us understand their characters and drawing us into the story. Marc Behm's novel translates to the screen well, and the scene changes flow smoothly and with a style that adds to the suspense and mysterious mood of the film. R for violence, language, and nudity.
EYES WIDE SHUT (R) 153 minutes * * * Dr. Bill Harford (Tom Cruise) thinks he has life pretty well figured out. He loves his wife and trusts her. He wouldn't dream of being unfaithful to her and doesn't even see the opportunities to do so. But it's one thing to be faithful because you choose to, another thing totally if you go through life with your eyes closed. It's a film about the loss of innocence and Cruise does a fine job as he discovers and is consumed by what he finds. Director Stanley Kubrick has created yet another wonderful film, though many find it not to their liking. Hearing a quote from the end of the film may help those who haven't seen it understand what Kubrick was trying to get across. "The reality of one night, let alone that of a whole lifetime, can never be the whole truth. And no dream is just a dream. The important thing is, we're awake now, and hopefully for a long time to come." R for sex and language.
THE FABULOUS BAKER BOYS (R) 113 minutes * * * Beau and Jeff Bridges are the Baker boys, who after 31 years of playing nightclubs together have decided to bring a third person into their act. Not only will Susie (Michelle Pfeiffer) change the act, she will change their lives. It's a moody character study that is well played by three talented actors. Not something that most people will find "entertaining", but a great film for those who really enjoy watching actors work with their characters.
FACE/OFF (R) 130 minutes * * 1/2 Castor Troy (Nicolas Cage) is a violent criminal. Sean Archer (John Travolta) has made it his life's work to bring him in. But just when things seem to have been resolved, Archer must become Troy to get information about a bomb. Troy then becomes Archer and the story gets too complicated to explain here. Kevin Yagher's special effects are nice, and there is some astounding stuntwork near the end of the film, which is typical of director John Woo. The biggest problem here is Woo's inability to handle the transitions from action to drama. He's getting better, but the film still feels choppy and rough in too many spots. R for violence and language.
FACING THE GIANTS (PG) 106 minutes * * Second feature film from director Alex Kendrick fares a little better thanks to the photography of Bob Scott, who has worked with filming football scenes for several films as well as the series "Friday Night Lights". Kendrick still holds on to too much of the project, directing, editing, writing, producing, scoring, and starring in the film. Essentially a project of the Sherwood Baptist Church of Albany, Georgia, with many of their members as cast and crew. The story outlines the struggles of a football coach whose team can't seem to get it together until they put more faith in God. PG for language.
FACTORY GIRL (R) * * * Edie Sedgwick (Sienna Miller) was a bright star that burned bright and fast, but she was also a spoiled rich girl who fell under the spell of Andy Warhol (Guy Pearce). The attraction was mutual, but it didn't really help either of them. He didn't really know how to be with her, and being with him only made her want to burn brighter. By the time her self-indulgence had turned to self-destruction, Warhol had moved on to other projects that were less dangerous. Miller and Pearce are both quite believable here, though the script and editing let them down a little in a few spots. The interview clips at the end are interesting too. There were so many possibilities for Edie, but she never really had the strength within or the support from without that she needed. R for sex and language.
FACTOTUM (R) 89 minutes * * 1/2 Dark, moody, and depressing film, adapted from Charles Bukowski's book by writer/director Bent Hamer. Matt Dillon delivers a fine performance here in a style that is clearly influenced by film noir of the '40s. The other characters have little meaning here, as the story's focus is on Chinaski (Dillon). They simply drift in and out of the story in a cynical, dreamlike fashion. While that plays to the strength of Dillon's ability to carry a film, it also highlights the self-indulgent aspect of the story as Chinaski is Bukowski's fictional version of himself. R for language and sex.
THE FACULTY (R) 96 minutes * * 1/2 The alien body snatchers are taking over Herrington High School, which is already in pretty bad shape. But even though you've seen the story before, it's fun to watch. Director Robert Rodriguez knows how to get us involved in the story quickly, giving us character names and painting the picture with broad strokes and filling in the details as we go on. Few people know how to do so much with a small budget, but Rodriguez is a master. Having a cast that includes Elijah Wood, Bebe Neuwirth, Piper Laurie, Famke Jansen, and Salma Hayek doesn't hurt either! R for language, violence, and nudity.
FAHRENHEIT 9/11 (R) 120 minutes * * 1/2 Michael Moore's anti-George Bush film has a little less punch than expected, in part, because we've already heard most of it before. He does uncover a few extra bits of information here and there, but it's too easy to see how he manipulates the presentation of information to make his own point. And, much like Bush, he goes on a bit too long without saying anything different. R for violence and language.
FAHRENHYPE 9/11 (NR) 77 minutes * * 1/2 The documentary reaction to "Fahrenheit 9/11" does present the other side of the issues, but manages to manipulate and misprepresent information as well. Not as much, but while it's being presented as a truthful expose, there are numerous passages lifted out of context, illogical conclusions, and a misunderstanding of a couple of the ideas presented in the first film. For the best effect, see them both, and understand that this is part of what freedom of speech is all about!
FAILURE TO LAUNCH (PG-13) 91 minutes * * * Tripp (Matthew McConaughey) is in his thirties and still living at home, so his parents hire Paula (Sarah Jessica Parker) to get him interested enough in a woman that he'll leave home. We've seen this story so many times, there's really no point in mentioning anything else about it. What makes this fun are the supporting performances. Zooey Deschanel is a delight, and almost steals the show as Paula's roommate Kit... cynical, quirky, and falling for one of Tripp's friends despite herself. I say she almost steals the show because Kathy Bates and Terry Bradshaw definitely do their share of scene stealing as Tripp's parents. The wild animal scenes are a bit much. Unrealistic and not really essential to the story, though someone must have thought them funny enough to include. PG-13 for language and sex.
FAIR GAME (R) 85 minutes * * Let's hope that Cindy Crawford remains with the career she already established as a model. Filled with the shallow dialogue that seems to be standard in so many action films, we are given characters we learn little about, and therefore care little about. What makes the film worth watching at all, is the stunt work and the work done by the explosives crew. Great work by these folks, too bad they don't have a story to set it all off for. R for violence, language, and nudity.
FAIRYTALE: A TRUE STORY (PG) 93 minutes * * * In 1917 some very interesting photos were taken by two young girls. They showed what appeared to be several fairies. The photos were not faked and this is the story of what happened. A beautiful little film, though a bit thin on story as little time is spent with any subplots. Both girls do a fine job and it's fun to see Harvey Keitel and Peter O'Toole as Harry Houdini and Sir Arthur Conan Doyle. But the kudos go to young Elizabeth Earl in her feature film debut as young Frances Griffiths, the cousin who comes to visit and rekindles the belief in fairies that was starting to fade. PG for language.
FAITHFUL (R) 87 minutes * * * Chazz Palminteri stars in an adaptation of his play along with Cher and Ryan O'Neal. O'Neal wants his wife dead, but Palminteri hasn't killed a woman before, though he finds out she was ready to kill herself anyway... the characters here are very well-written and full of energy and we find ourselves caught up in the story right away. A delight to watch and really makes you want to see this as a play as well. Wonderful direction from Paul Mazursky.
FALLEN (R) 120 minutes * 1/2 John Hobbes (Denzel Washington) is on a murder case that has some bizarre touches to it. Just what will he uncover? The clues here are extremely obvious, even though it takes them forever to fall into place. Donald Sutherland and John Goodman offer nice supporting performances, but even they have to struggle with a script that treats us like we've never seen a mystery before. The ending is completely without surprise and is very disappointing. R for violence and language.
FALLING DOWN (R) 109 minutes * * 1/2 A man with a violent temper who has been pushed too far, this is Bill Foster (Michael Douglas). He just wants to get home for his daughter's birthday party, but his methods are not what most of us would consider normal. Robert Duvall plays the police officer about to retire, who stumbles onto the case and doesn't really want to get involved. This is the problem with the film... a reluctant hero and a villain with whom we can sympathize too easily. Rather than focusing on the drama of the human struggle, this is presented as a police thriller and given a typical ending that is unworthy of these dynamic characters. R for violence and language.
FALLING FROM GRACE (PG-13) 94 minutes * 1/2 Country singer Bud Parks (John Mellencamp) comes home and catches up on what's going on around town. Kay Lenz and Mariel Hemingway have enough experience to work through Mellencamp's poor direction, but the production suffers. There are a few good scenes, but little else. Filmed in Seymour, Indiana, Mellencamp's home town.
FAMILY BUSINESS (R) 111 minutes * * * Vito (Dustin Hoffman) has tried hard to do the best for his son. The problem is that Adam (Matthew Broderick) doesn't want his Dad's best, he just wanted his Dad. Jessie (Sean Connery) has always realized this, but as Vito's father, he felt his hands were tied. Things are about to change, and get very tangled up in the process. These are three great actors from three generations in a story of personal past, present, and future... what it really means to be a member of a family. The performances by the leads are definitely the highlight here, and director Sidney Lumet plays them skillfully off the background of the story. R for language.
THE FAMILY MAN (PG-13) 120 minutes * * * Sometimes, the decisions we make head us down a far different path in life than what we initially expect. Such is the case for Jack Campbell (Nicolas Cage). A year-long internship turns into thirteen, and he becomes a fast-track executive on the move rather than a family man. But what if he hadn't gotten on that plane? Not only does Nicolas Cage give then fine performance we expect, but Tea Leoni matches it with a great performance of her own. Nice performances by the kids too. So, despite the overly sentimental message, it's a nice film that most everyone will enjoy, though it does run a bit on the long side. PG-13 for language.
FAMILY PLAN (PG) 86 minutes * * Cute, if a little lightweight, comedy with Tori Spelling as a woman on her way to the top in the business world. The only problem is that her boss thinks she has a husband and daughter. She promptly arranges to have one, but it isn't always smooth sailing, though she may find it's closer to what she wants than she thought. Nothing new here, but Spelling does a decent job as does the rest of the cast, and it's decent family entertainment, which is more than you can say for a number of others. PG for language.
THE FAMILY STONE (PG-13) 100 minutes * * * Everett (Dermot Mulroney) is bringing Meredith (Sarah Jessica Parker) home for Christmas to meet his parents (Diane Keaton & Craig T. Nelson). Of course there are a few siblings to meet as well, and much harassment along the way. It's just the way the Stone family is... but it may be a bit much for Meredith to deal with. The acting is wonderful, but with a cast like this, it would be hard not to have that well taken care of. What is lacking a little is originality in the story. Most of the twists and turns here are old news and happen quickly enough that we don't really have time to think enough about them before the next one rolls along. It's all fun and we laugh quite a bit, but it definitely lacks the strength underneath that would have made a more memorable film. Also starring Rachel McAdams, Claire Danes, and Luke Wilson. PG-13 for language.
A FAMILY THING (PG-13) 104 minutes * * 1/2 After his mother's death, Earl Pilcher (Robert Duvall) finds out about a brother he never knew he had. The only thing is that Earl is white and his brother is black... Meeting his brother will teach Earl much about himself, for even though his life has been in the white community of the rural south, his roots lie elsewhere. Although this suffers from poor direction at times, it manages to get its point across, asking us to take a look at what we've come to take for granted in our lives, and be willing to look at things from a different angle. PG-13 for violence and language.
THE FAN (R) 111 minutes * * Gil (Robert DeNiro) is a fanatic San Francisco Giants fan. He's also a foul-mouthed failure who only seems to be successful at scaring people. Director Tony Scott has given us a highly stylized film with excellent camera work, but a story that leaves us wanting more. Two-dimensional characters that walk through the scenery just aren't enough to keep us interested. This does look a little better on the small screen, but it's still no prize. R for language and violence.
FANTASIA 2000 (G) 69 minutes * * * Considering the explanation at the beginning of the film about how the original idea for "Fantasia" was to continue to release collections of new short animated films... why include "The Sorcerer's Apprentice" again in this version? It wasn't even the best segment of the first film, though it is the most well known. Steve Martin's interlude is rather tacky and definitely sets the wrong mood, and I'm not sure what the point of including it could have been. There are three segments that make the film worth watching. The Gershwin number that begins with a simple line moving across the screen, builds to a wonderful finish that uses Hirshfeld-style drawings and tells a story of life in New York is simply superb. The flamingo yo-yo sequence is both funny and well done and will be the one most of the kids who watch this will remember. And the Firebird Suite that the films closes with is a fabulous note to end on with impressive animation and a fine performance by the Chicago Symphony Orchestra.
FANTASTIC FOUR (PG-13) 98 minutes * * 1/2 The classic Marvel comic heroes finally hit the big screen! Vastly superior to the low-budget production made in 1994 that isn't "officially" available for viewing. The special effects here are amazing. The story... well, the story leaves a bit to be desired, spending far too much time on how their powers are acquired and far too little time on fighting the infamous Dr. Doom. Perhaps the inevitable sequel will give us more interaction with villains. PG-13 for violence.
FANTASTIC FOUR: RISE OF THE SILVER SURFER (PG) 86 minutes * * There is plenty of action here, and the special effects are amazing, but the dialogue is over-simplified and tries too hard to have a sense of humor. It's a somewhat strange mix that almost makes it feel like a children's film, but it's not. And once again, the story strays too far from what was in the comics. PG for violence and language.
THE FANTASTICKS (PG) 87 minutes * * * Although some of the unique atmosphere of this long-running musical isn't captured by this film, it still scores on many points. It's the story of two teenagers whose romance has been manipulated by their fathers. A story of life, love, and remembering. Fun and offbeat, for those who haven't been able to make it to the theater, this is an enjoyable alternative. PG for language.
FAR AND AWAY (PG-13) 133 minutes * * 1/2 Tom Cruise and Nicole Kidman star in this long and tedious romance film. It isn't their performances that hurt it, but the story is incredibly shallow. It's a real surprise to discover that Ron Howard co-wrote it as he's usually much more aware of how to draw in an audience and tell a story. John Williams' sweeping soundtrack is the real star. So, unless you enjoy predictable, sappy endings, just listen to the soundtrack. Filmed in Ireland, Montana, and Oklahoma. PG-13 for violence and language.
FAR FROM HOME: THE ADVENTURES OF YELLOW DOG (PG) 75 minutes * Boy and dog get lost story with plot-holes-a-plenty. The scenery is nice, but why would a kid who knows so much about survival (as he exhibits at some points in the movie) not know that it takes green wood to set a signal fire and that he should stay near the shore where he can be seen? Poor direction and worse acting make this one hard to sit through for all but the few who don't know any better.
A FAR OFF PLACE (PG) 104 minutes * * * 1/2 Their parents killed by poachers, Nonnie (Reese Witherspoon) and Harry (Ethan Randall) must cross the treacherous Kalahari desert in search of help. The desert is the real star here, far from lifeless, though usually very quiet. James Horner's music weaves its magic as well, transporting us to this strange and beautiful world. The opening scenes are a bit violent for the younger viewers, but after that, it's a very entertaining film for one and all. PG for violence.
FAR OUT MAN (R) 81 minutes 1/2 It's home movie time at the Chong house. Tommy wrote and directed this piece, which featurs himself, Rae Dawn, Shelby, and Paris as well as a few other friends of the family. Cheech Marin has a cameo bit as well, but this doesn't even come close to the old Cheech and Chong films. R for language.
FARCE OF THE PENGUINS (R) 73 minutes 1/2 Mockumentary of "March of the Penguins" with Bob Saget writing new dialogue for footage of the penguins making their treks across the Antarctic to feed, mate, and raise their young. If you saw "The Aristocrats", you won't be surprised that this is a Bob Saget project as far as the rude humor. Still, aside from all of the one-liners by an impressive group of Saget's friends, there's just not much here. R for lots of language.
FARGO (R) 94 minutes * * * Strange mix of comedy and fright that reminds us of "Twin Peaks", "American Gothic", and "Natural Born Killers". Set in Minnesota, this is another Joel and Ethan Coen production with a soundtrack by Carter Burwell that sets just the right creepy tone through the whole film. A very offbeat film that you will either love or not finish watching. Rated R for language and violence.
THE FAST AND THE FURIOUS (PG-13) 97 minutes * 1/2 Fast cars, pretty girls, and a little detective work on the side in this story of street racing and hijacked shipments. The script is the real bad guy here, keeping Vin Diesel and everyone else two-dimensional and sounding like they came out of a cheap paperback novel that you throw away when you've finished reading it. Actually, it's adapted from a magazine article by Ken Li, which could be the problem. Stretching an article into a movie script can sometimes stretch a story more than it can handle. PG-13 for violence and language.
THE FAST AND THE FURIOUS: TOKYO DRIFT (PG-13) 97 minutes * 1/2 When Sean (Lucas Black) wrecks his car and gets into trouble with the law again, she sends him to live with his father in Tokyo. Sean quickly learns a new style of racing where cars "drift" around turns, and is quickly in trouble again, though of a slightly different kind. Plenty of stant car driving here, with some great work, but the dialogue definitely sub-par and aside from Black, most of the acting leaves a great deal to be desired. There is a nice soundtrack... PG-13 for violence and language.
FAST FOOD NATION (R) 106 minutes * * * When the meat that is being used by a fast food chain is discovered to contain some undesirable material, marketing executive Don Anderson (Greg Kinnear) investigates... and finds out more than he bargained for. Adapted from the book by Eric Schlosser, this is not only a study of the fast food industry, but of a way of life promoted in the United States. Consumerism driven by advertising to make more money for those who already have it, supported by cheap labor and a lack of concern for quality, safety, and the environment. The impact of the film is lessened by it being a drama rather than a documentary, but it's still there if you want to notice. Several interesting smaller roles and cameos by Patricia Arquette, Esai Morales, Kris Kristofferson, Bruce Willis, Ethan Hawke, Avril Lavigne, and a few others. R for language, violence, and sex.
FAT ALBERT (PG) 87 minutes * * Fat Albert and his pals leave their cartoon world for the real world to help a girl who is having trouble making friends. The only problem is, after a little while, they start to fade, even though they find the real world a really nice place to be. There are some cute bits here and there, but the story wears thin way before the time is up. Fat Albert fans will have a little fun with this, but that's about all. PG for language.
FAT MAN AND LITTLE BOY (PG-13) 123 minutes * * * 1/2 The war serves as the context for this story about the ethical conflict involved in harnessing nuclear energy. Several times throughout the film, we are reminded that this is the energy that drives the universe. The struggle for control plays out in the struggle between General Groves (Paul Newman) and Robert Oppenheimer (Dwight Schultz), but is there on a larger scale between the Nazis and the Communists and even between humanity and the universe. Schultz brings Oppenheimer to life for us and is supported well with performances by both John Cusack and Laura Dern. Ennio Morricone's soundtrack and Vilmos Zsigmond's photography add immeasurably to the presentation as well. Not only is this a film about watching the unimaginable take place, it is also a film about peace and life. As Merriman (Cusack) says late in the film, "I hope we choose life, because I realize how beautiful, how glorious, how magical, life can be."
FATAL ATTRACTION (R) 115 minutes * * Obsessed with the man she had a one-night fling with, Alex (Glenn Close) begins to stalk him. Dan (Michael Douglas) is momentarily flattered, then annoyed, and soon fears for his life and that of his wife and daughter. Masquerading as a mystery/suspense film, this is really little more than a slasher horror film with a bigger budget and a story aimed at an older audience. Maurice Jarre's soundtrack does a great job of adding to the effect.
FATAL BEAUTY (R) 101 minutes * * Whoopi Goldberg is Rita Rizzoli, narcotics cop, on the trail of the drug, Fatal Beauty. While the action and suspense are fairly good here, the dialogue is both heavy-handed and full of unnecessary foul language. Harold Faltermyer provides another good pop music soundtrack, and Goldberg and Sam Elliott give good performances.
FATAL INSTINCT (PG-13) 86 minutes * * Another of the parody comedies, this one actually does a decent job in poking fun at "Basic Instinct", "Fatal Attraction", and "Body Heat". If anything, it pays too much attention to detail and doesn't have enough light-hearted fun with the idea. The great cast includes Armand Assante, Kate Nelligan, Sherilyn Fenn, and Sean Young.
FATHER HOOD (PG-13) 91 minutes * * Patrick Swayze stars in this mildly entertaining TV movie-style production about a man who impulsively kidnaps his two children from the state's foster care system. Don't expect much and you won't be disappointed.
FATHER OF THE BRIDE (PG) 100 minutes * * Remake of the 1950 classic featuring Steve Martin and Diane Keaton, who just never have the chemistry it takes to bring this off well. There are far too many voice-overs, and too many attempts at comedy that just don't fit well. Kieran Culkin, playing the little brother, comes off better than most everyone. PG for language.
FATHER OF THE BRIDE PART II (PG) 102 minutes * * * This is one of those few times when a sequel is actually rather good. Even more interestingly, it's a remake of a sequel. (Father's Little Dividend) Steve Martin's daughter has grown up and is making him face his own middle age, with comical results of course. Sure to make you smile, this also shows off young Keiran Culkin better than the first film did and gives us a fine supporting performance from Jane Adams as Dr. Eisenberg. Great work by all!
FATHER'S DAY (PG-13) 95 minutes * 1/2 Robin Williams and Billy Crystal star in this story of two men trying to find a boy who has run away. One of them may be the boy's father, but no one seems to know for sure. They keep finding him and losing him throughout the movie. And just as they keep missing the kid, this film keeps missing the mark.The moral here is fairly obvious and Williams and Crystal don't work well together. Based on the film "Les Comperes" (which is undoubtedly better), the best part of this film is an unbilled cameo appearance by Mel Gibson. PG-13 for language.
THE FAVOR (R) 93 minutes * Amateurish direction and a poor script hang this story before it has a chance. Elizabeth McGovern is asked by her friend, Harley Jane Kozak to sleep with her old high school boyfriend and then tell her what it was like. Bill Pullman, Brad Pitt, and Ken Wahl are among the others featured here, but acting talent can't save a film like this.
FEAR (R) 91 minutes * * 1/2 Stylishly directed story of sweet teen (Reese Witherspoon) falling for a psycho kid. Her father (William Peterson) intervenes, but trouble ensues. The story is far too obvious and takes too long to play out. Good acting by Witherspoon and music by Carter Burwell help make this worth watching.
FEAR AND LOATHING IN LAS VEGAS (R) 112 minutes * * 1/2 Johnny Depp and Benicio del Toro star in this adaptation of Hunter Thompson's satirical travelogue/social commentary on the 1960's and 70's. Depp is on assignment to cover the Mint 400 dirtbike race but ends up being more interested in experiencing hallucinations through drug use. There is a good deal of strong social commentary here, especially late in the film, but most will be turned off by the bizarre caricatures and unusual cinematography. Small roles and cameo appearances are scattered throughout the film, two of the more notable being Christina Ricci and Ellen Barkin. R for language and violence.
FEAR DOT COM (R) 93 minutes * A sadistic killer is somehow using a website to trigger people's fears and overload them with adrenaline... the problem is that this killer doesn't have a physical body. This starts out nicely. Dark and mysterious, with a very spooky little girl that keeps appearing. There are some nice moments of suspense here and there, but the story just doesn't hold together. A nice cast (Stephen Rea, Natascha McElhone, Stephen Dorff, and others) end up being wasted. R for violence and language.
FEARLESS (R) 115 minutes * * 1/2 Max (Jeff Bridges) survives an airplane accident and begins to feel that he is invulnerable to harm. As is the case with most of director Peter Weir's films, there is a theme throughout. This time, it's "hands"... reaching, holding, letting go... This aspect is quite good, but some portions of the film are weak and could've used better writing and acting. R for language and violence.
FEARLESS (2006) 100 minutes * * * Jet Li stars as Huo Yuanjia, the founder of the Jin Wu Sports Federation. His life was dedicated to bringing the various martial arts traditions together to appreciate one another and to focus on discipline rather than violence. As a child, he just wanted to win and he learns how to fight well enough to do so. But as he grows older, he learns that respect and honor are of more value than winning. His vision of uniting the various disciplines of martial arts and creating a federation did more than help the sport, it helped unite the Chinese people. Quality piece of work from director Ronny Yu. R for violence.
FEAST (NR) 80 minutes * * 1/2 Strange group of aliens monsters trap a group of people in a bar one night. Can they make it till morning? Will morning make a difference? Very intense and full of gore, with fairly good performances, though it's hard to tell much as the dialogue is univentive to say the least. The aliens really aren't that elaborate either, but there is the fun bit of the rotating hero role. First-time director John Gulager has fun with this and given some better material to work with, he could give us a pretty scary film. R rated version available, violence, language, and sex.
FEAST OF LOVE (R) 96 minutes * * 1/2 Bradley Thomas (Greg Kinnear) is a nice guy, but love just doesn't seem to be working out for him. His friend Harry (Morgan Freeman) shares words of wisdom from time to time, but in the end, love and life will do what they will and loss is always part of the story. Love offers much, but it takes much as well. Adapted from Charles Baxter's novel, this is a gentle and quiet story, well-acted, and without presumption that it is trying to tell us anything particularly unique. Filmed in Portland, Oregon. R for sex and language.
FEEL THE NOISE (PG-13) 84 minutes * 1/2 An aspiring young rapper finds his dreams dashed and then reshaped into something more realistic in this rather lifeless story. This unfortunately has both the look and feel of a low budget production. It's too bad for the actors, who try to give this some life, but the script and poor direction never give it much of a chance. PG-13 for sex, violence, and language.
FEELING MINNESOTA (R) 92 minutes * Really bad attempt to copy "Pulp Fiction", with Keanu Reeves and Dan Aykroyd stumbling through very bad dialogue. Tuesday Weld is probably embarrassed about being in this film, and Courtney Love shows nothing of the power she later exhibits in "The People Vs. Larry Flynt". Another grand example of a terrible script from Hollywood. R for language, violence, and sex.
FEMME FATALE (R) 110 minutes * * Double-crossing the thieves she works with to get $10 million in diamonds, she establishes a new identity and might just get away with it except for this annoying photographer who takes her picture and begins to unravel what took her so long to put in place. Director Brian DePalma puts in a very nice plot twist late in the film that feels like his older films. The biggest problems here are that the film does drag on a bit long, and Rebecca Romijn-Stamos does make a better model than she does an actress. Recognize that voice on the phone? It's John Stamos, Rebecca's husband. R for sex, violence, and language.
FERN GULLY: THE LAST RAINFOREST (G) 69 minutes * * 1/2 Ecological cartoon with nice music and some great voices (Robin Williams, Samantha Mathis, Grace Zabriskie, Tim Curry, Cheech & Chong, Christian Slater) but the story isn't very imaginative and the animation is strictly Saturday morning fare.
FEVER PITCH (PG-13) 96 minutes * * Ben (Jimmy Fallon) is a big Red Sox fan. So much so that it's always gotten in the way of his past attempts at romantic relationships. Lindsey (Drew Barrymore) has always been so preoccupied with her work that she hasn't been able to have a good romantic relationship either. Can they somehow make this work? Adapted from the book by Nick Hornby, this may appeal to Red Sox fans, but neither Barrymore or Fallon seem all that interested. Fallon appears to be just walking through his part, and Barrymore has nothing to play off of with a co-star is so bland. PG-13 for language.
A FEW GOOD MEN (R) 134 minutes * * * 1/2 Classy military courtroom drama with Jack Nicholson and Tom Cruise facing off as the death under suspicious circumstances of a Marine private is investigated. Aaron Sorkin does a masterful job of adapting his stage play to the screen. Rob Reiner's talented direction brings together a fine cast that also includes Demi Moore, Kevin Bacon, James Marshall, and Keifer Sutherland. R for violence and language.
FIDO (R) 86 minutes * * 1/2 In the not-too-distant future, zombies don't really present much of a problem anymore. Thanks to some creative thinking, they can be put to work doing menial labor. Well, except when something happens to their collar... In fact, Timmy's (K'Sun Ray) zombie helps keep the local bullies from picking on him. Just remember... they aren't really human... anymore. If you liked "Shaun of the Dead", you'll find this film fun as well. R for violence.
FIELD OF DREAMS (PG) 100 minutes * * * * Based on the book "Shoeless Joe", this is a magical story about a farmer who hears a voice telling him to build a baseball field on his property. It's also about the courage to follow a dream and the faith it takes to believe in that dream. And it's about the importance of our memories and our love for those who are important to us. It's magical Hollywood at its best, and Kevin Costner plays it to perfection. The script is perfect, and the direction manages to capture every nuance of emotion. Definitely a film not to miss!
FIELDER'S CHOICE (NR) 83 minutes * * Not only has Phillip (Chad Lowe) never thought much about being a father, he wouldn't have time for it anyway. It's all he can do to manage to help out his sister for the weekend by taking care of his nephew. But when she dies in an accident, he finds himself the boy's custodian. Lowe does a nice job here, though this never really gets past the mild tear-jerker, TV movie category.
FIERCE CREATURES (PG-13) 87 minutes * * This sequel to "A Fish Called Wanda" doesn't quite measure up to its predecessor, but it still has its fun moments. Nobody can stumble around words and still keep a scene moving like John Cleese. There are a number of in-jokes for those who saw the first film. PG-13 for language.
15 MINUTES (R) 113 minutes * 1/2 An arson investigation turns into a homicide investigation involving two eastern European killers with some rather strange ideas about American justice and the media. It's too long and gets lost quickly somewhere between trying to tell us how much the media influences us and how poorly the justice system works. The characters continue to struggle with telling us their story, which we care little about after the first half hour or so. The filming is choppy and erratic and we find ourselves ready to have this over long before it grants us the pleasure. R for violence and language.
THE FIFTH ELEMENT (PG-13) 121 minutes * * * 1/2 Visually stunning science fiction epic with traces of "Stargate", "Star Wars", and "Blade Runner" mixed together. Wonderful special effects too, but its the story that really grabs you, right from the very start. Evil is returning, and the five elements must be united to defeat it. There's a little too much comedy here, especially in Gary Oldman's character, and I wouldn't have cast Bruce Willis (although he does a fine job). Milla Jovovich is absolutely perfect as Leeloo. This is a very impressive film from director/writer Luc Besson. PG-13 for language, violence, and nudity.
FIFTY/FIFTY (R) 98 minutes * Robert Hays and Peter Weller are the only things this film has going for it. Pathetic story of two mercenaries who end up working for a small group of "good people" who are trying to get their land back. The chemistry between the leads at least makes a few of the scenes entertaining. R for violence and language.
50 FIRST DATES (PG-13) 91 minutes * * 1/2 Henry (Adam Sandler) has problems with commitment in relationships. But now he's fallen for Lucy (Drew Barrymore), a girl who forgets everything from the day before each morning when she wakes up. It's unfortunate that scattered throughout this charming and sensitive love story are the constant reminders that Sandler loves off-color humor. It's especially bad early on though it does tame down a bit as it progresses. Absolutely beautiful scenery courtesy of the north shore of Oahu where most of this was filmed. PG-13 for language.
54 (R) 83 minutes * Set in 1979, this is the story of Studio 54, the place to go for freedom and fame, glitz and glamour, sex and drugs. Ryan Phillippe stars, though Salma Hayek, Neve Campbell, and Mike Myers do a little better with their roles. The script is incredibly boring and keeps the characters far too shallow for us to care about what happens to them. The other big disappointment here is the lack of music. A film about one of the hottest disco places in the world should have had a better selection of music than we have here. R for language and nudity.
FIGHT CLUB (R) 135 minutes * * 1/2 What does it mean to be a man? What does it take to be a man? Edward Norton's character explores these questions through the course of the film. It's an incredible script, though I'm rarely thrilled with narration. It does end on a rather strange note, but getting there is very interesting. There's also a feeling of self-indulgence here that is a bit thick at times, dimming the strength of the material and of Norton's fine performance. Brad Pitt offers us another somewhat quirky performance, though not as unusual as his character in "Twelve Monkeys". Also of note are well-done and very unique performances by Helena Bonham Carter and Meat Loaf. R for language, violence, and sex.
THE FIGHTING TEMPTATIONS (PG-13) 119 minutes * 1/2 Darrin (Cuba Gooding Jr.) loses his job and goes back home to his Aunt Sally's funeral where he discovers that his sizeable inheritance hinges on his ability to get the local church choir to win a musical competition. Not an easy task. And it takes a bit too long to happen. The music is great, with treats from The O'Jays and Beyonce Knowles among others, but it just doesn't feel sincere at all. PG-13 for language.
FINAL ANALYSIS (R) 121 minutes * * Richard Gere starts sleeping with a patient's sister and finds himself in a mysterious mess. This film is a bit of a mess as well, though it does get better toward the end. Kim Basinger does a reasonable job, but Gere and Uma Thurman do the majority of the work. R for sex, language, and violence.
THE FINAL CUT (PG-13) 90 minutes * * Strange little film with Robin Williams as a "cutter" who edits the stored memories of people's lives down to a memorial film. Not only does he uncover a dramatic secret while editing, he also uncovers a bit of his own past that he needs to track down to be able to understand it. Williams does a nice job here, but the story just sort of splashes out without much direction. PG-13 for language and violence.
FINAL DESTINATION (R) 92 minutes * 1/2 Just before the plane takes off for Paris, Alex has a dream about the plane crashing. He and a few of his friends get off the plane, which crashes moments after take-off. Were they lucky? Or is death still out to get them? An interesting idea that is handled very poorly, with silly horror film effects, poor acting, and a ridiculous ending. Ali Larter is the only standout in a film that could have been much more interesting and suspenseful than it turned out to be. R for language and violence.
FINAL DESTINATION 2 (R) 84 minutes * 1/2 Beginning not all that long after the end of the first film, we have a new person who is given a vision of a multi-vehicle crash on the interstate. What's more, the people who are rescued by the vision all have ties to the folks from the first film! It actually works fairly well as a story mechanism. Consider yourself WARNED - the special effects are extremely gross. More what you might expect from a horror film rather than a suspense film. Although that being said, the interstate scene in the first few minutes of the film is amazing, doing a wonderful job of combining real stunts with computer animation. Ali Larter returns to help explain things to the new people, and once again delivers the best performance.
FINAL DESTINATION 3 (R) 87 minutes * * It's a roller coaster accident in an amusement park that a few people survive this time, thanks to the premonition of one girl. The usual, bizarre string of events that begin to balance things starts, and our protagonists must see if they can stop it somehow. Slightly better pacing than the previous films, and more extremely gross effects, along with some nice camera work gives this a slight edge over the previous two in the series. R for violence, language, and nudity.
FINAL FANTASY: THE SPIRITS WITHIN (PG-13) 98 minutes * * The extraordinary animation is the highlight here, though the mouths still need a little work. The story is a bit on the rough side and it feels like we lost a few scenes that might have helped clarify some of the story. The idea that a planet has a life force of which we are all a part is interesting, but we don't hear enough about the life force from the meteor and how the alien ghosts are able to kill. This doesn't really follow the game, so there is potential for a sequel of sorts, but that remains to be seen. PG-13 for violence.
THE FINAL SEASON (PG) 113 minutes * * * Norway High School, a small school in rural Iowa with an amazing baseball team. When a nearby school corporation begins the process to merge Norway into their system, the town is more than a little upset. They will have one more season, with an untested young coach, and a chance to add the 20th state championship trophy to their collection. It's a great story with the only real problems involving the cast. The players are all fine and Powers Boothe does a nice job as the legendary coach Jim Van Scoyoc. Sean Astin delivers only a mediocre performance though, and Rachel Leigh Cook is woefully miscast as the representative of the larger school system who becomes involved with Astin's character. Based on fact, this is a good film for baseball fans, but it could have been even better. PG for language.
FIND ME GUILTY (R) 120 minutes * * Based on the actual trial of Giacomo "Jackie Dee" DiNorscio and the events surrounding it, and using some of the actual transcripts. Director Sidney Lumet is used to this sort of film, but gets caught here in trying to make this too true to the actual events. Vin Diesel does a nice job here, and his charisma along with that of Peter Dinklage are what make this film as good as it is. Far too much of the rest is dry and uninteresting. It makes the story rely even more on Diesel's performance, which has an unusual combination of comic and serious aspects that are a bit hard to watch. More than anything, this just seems to miss whatever mark that Lumet was aiming for. R for language and violence.
FINDING FORRESTER (PG-13) 131 minutes * * * Jamal (Rob Brown) has a talent for writing. He's never done much with it, because he just wants to fit in with his friends. But when his path crosses with that of William Forrester (Sean Connery), a recluse who wrote the great American novel and then disappeared, they both find themselves moving in new directions. Much as Forrester's character serves as a mentor for Jamal, Connery seems to have had a similar effect on Rob Brown. The characters are, unfortunately, locked into a story that almost never moves past the obvious, though there are hints of the depths they could achieve. It's always a delight to watch Connery, and Brown's debut along with a nice supporting role by Anna Paquin definitely make this a worthwhile film. PG-13 for language.
FINDING NEMO (G) 91 minutes * * * This gem from Pixar does start out on a rather sad note, but as Marlin (Albert Brooks) searches for his son Nemo, with the help of Dory (Ellen DeGeneris), the quest does a nice job of tastefully mixing humor into the story. My favorite is the "whale talk"... words fail to describe just how funny it is. The story is a delightful mix of humor, educational information about marine life, and family dynamics. Charming and touching, it's a film that most everyone in the family can enjoy.
FINDING NEVERLAND (PG) 96 minutes * * * J.M. Barrie (Johnny Depp), author of Peter Pan, found his inspiration for that story in his interations with the children of a friend. There are many good performances here, Depp (of course), Kate Winslet, Julie Christie, Radha Mitchell, Dustin Hoffman, and young Freddie Highmore who is also playing opposite Depp in the remake of Charlie and the Chocolate Factory. The pacing in the script is a bit off though. The film starts slowly and ends rather quickly with too many aspects being resolved too easily. Still, the idea is there... reality and fantasy need to walk beside each other, for only then can we experience the magic and beauty of life. PG for language.
FIRE DOWN BELOW (R) 99 minutes * 1/2 Another Steven Seagal film about tragedy striking the environment. Seagal goes in to fix it all for the "little people" by kicking the snot out of the mean people without getting a hair out of place or a scratch on his face. Nothing new, though the songs are good, including the ones Seagal writes and sings. R for violence and language.
FIRE IN THE SKY (PG-13) 105 minutes * * Based on "The Walton Experience", this story of UFO abduction develops rather slowly and has an awkward ending. It does manage to keep us interested, but mostly because we'd like some answers that are never given. An interesting cast that includes D.B. Sweeney, Kathleen Wilhoite, and James Garner. PG-13 for violence.
THE FIRE NEXT TIME (NR) 82 minutes * * * Documentary about the struggles of Kalispell and the Flathead Valley area in Montana as they deal with major changes to their way of life. The film does a nice job of presenting both sides of several issues that have residents angry and even hateful towards one another. It's not just about the environment or jobs, it's about a community and a way of life. Is it possible to reach any understanding or common ground? Are there issues affecting your community in the same way? Nice work from director Patrice O'Neill.
FIREBIRDS (PG-13) 80 minutes * * 1/2 Exciting flight sequences, romance, a little danger, a pilot who thinks he's the best there is... sound a little bit like "Top Gun"? Yup, only this time with Apache helicopters. The film struggles with an unbelievable relationship between Nicholas Cage and Sean Young and rarely has the intensity it needs to keep us really interested. There are some nice flight sequences, but they don't really show off the full capabilities of an Apache. It's a slick production, but feels a little too shallow the whole way through.
FIREHOUSE DOG (PG) 103 minutes * * 1/2 When a dog is rescued from a fire, it seems to be just what Engine 55 and the rest of Dogpatch Company need. What they don't know is that this is Rexxx, canine movie star, who just might be able to help them solve a series of arson cases. Nice work by young Josh Hutcherson here, as he and the dog are pretty much the whole show. It does run a little long, but is otherwise a nice family film. Trivia note: Rexxx was played by four dogs. PG for violence and language.
FIRESTORM (R) 84 minutes * * Smokejumpers are that elite group of firefighters who are trained to parachute into wildfire areas to try and keep them under control. This time, their job is made more difficult by an escaping group of inmates who plan to use a forest fire as cover for their escape. Ex-football star Howie Long does quite well here, with some reasonably good support from Scott Glenn, William Forsythe, and Suzy Amis. The story has a good many holes in it that should have been dealt with. Things feel far too rushed and it makes the film weak. The visual presentation is quite good though, thanks to direction by Dean Semler (a wonderful photography director) in his first outing. Filmed in Castaic, California and Vancouver, Canada. R for violence and language.
FIREWALL (PG-13) 102 minutes * * 1/2 While his family is held hostage, Jack (Harrison Ford) is expected to be the inside man on a bank job. There always seems to be one more wrinkle in the plan, and always one more way to solve the problem just before it gets too bad. Despite all of the action, this manages to move rather slowly, and it ends very abruptly. Ford looks tired throughout, but manages to keep us interested in the story enough to keep watching. PG-13 for language and violence.
THE FIRM (R) 151 minutes * * * Though this gets off to a bit of a slow start, the well-written script recovers fairly quickly. It strays from the book, but the real problem is Jeanne Tripplehorn's weak acting. She fails to convince us that she has played her part (the wife who knows but acts like she doesn't) well enough to convince the other characters. Holly Hunter, Ed Harris, David Straithairn, and Gene Hackman do great work though, and the soundtrack, composed and performed by Dave Grusin, is a treat. Tom Cruise is adequate in the lead, but this isn't his best film.
FIRST BORN (PG-13) 95 minutes * Muddled mess of a suspense film with Elisabeth Shue as a woman who essentially has post-partum depression and paranoia. There are a number of red herrings that lead us toward thinking there are supernatural forces at work, but nothing is ever substantiated. John Frizzell delivers a suspenseful soundtrack and Shue does a nice job, but the story fails her, and us, at every turn. PG-13 for violence.
FIRST DAUGHTER (PG) 99 minutes * * 1/2 Samantha (Katie Holmes) just wants to have a normal life, but it's hard to do that when you're the president's daughter. How do you live your life when the camera never stops following you? Holmes delivers a nice, subtle performance here and the camera work does a great job emphasizing her facial expressions. Part of the reason this works so well is also due to director Forest Whitaker's decision to present this story as a fairy tale about an ordinary little girl who will always be a princess. Nice choice!
FIRST DESCENT (PG-13) 106 minutes * * 1/2 If you've ever wondered why people want to snowboard, you should definitely see this film. Part history of the sport and part extreme snowboarding event, with five young snowboarders hitting some of the highest and steepest slopes in Alaska. It's a great look at a sport that can actually be traced back farther than you might expect. This definitely looks better on the big screen, but some of the footage is still pretty incredible even on the small screen. PG-13 for language.
FIRST KID (PG) 97 minutes * * Sinbad stars in this familiar story of a spoiled brat learning some of the important lessons in life. Moderately good entertainment for the 6-10 age crowd, but aside from a nice performance by young Erin Williby, there isn't much here. PG for language.
FIRST KNIGHT (PG-13) 128 minutes * * * Well-balanced film with a story that unfolds at a very nice pace. Guinevere (Julia Ormond) is struggling with the dilemma of how to choose which man she wants to spend her life with, Arthur (Sean Connery) or Lancelot (Richard Gere). Beautiful scenery and a fine soundtrack by Jerry Goldsmith compliment things well, though it does run a little on the long side. PG-13 for violence and language.
THE FIRST POWER (R) 94 minutes * * The third power is possession, the second is knowledge of the future, and the first is resurrection. Now you know. This has all the right suspense and a great soundtrack from Stewart Copeland, but little in the way of originality. Suspense in a horror film has to be followed with a scare or some other release of the tension that builds. This one just keeps fading away, lulling us into a state where we aren't interested after awhile. R for violence.
THE FIRST WIVES CLUB (PG) 98 minutes * * 1/2 You can't help but smile through most of this picture as we watch Goldie Hawn, Bette Midler, and Diane Keaton waltz through their parts. Hawn steals the show, though Midler does have a few good bits here and there. The script and direction are weak, however, stealing much of the power this film could have delivered. Great costumes by Theoni Aldredge and watch for unbilled cameo appearances by Stockard Channing, Rob Reiner, and Sarah Jessica Parker. PG for language.
A FISH CALLED WANDA (PG) 105 minutes * * * The plot is about a robbery and the changing loyalties that occur afterwards when nobody wants to share. But what it's really all about is getting a couple of the old Monty Python troupe together and having a blast. It's not quite as good as the TV show, but it's grand fun. Kevin Kline fits in perfectly with Michael Palin and John Cleese. And Jamie Lee Curtis holds her own quite well. There are a couple of awkward scenes that don't seem to fit all that well, but Python fans will enjoy it regardless. R for language.
THE FISHER KING (R) 134 minutes * * * 1/2 Parry (Robin Williams) used to be a professor of medieval history. But when his wife is killed, Parry retreats into a world of his own creation... a world with castles, Red Knights, and a Holy Grail. Jack (Jeff Bridges) hosts a talk radio show. One day, the comments he makes lead a man to go into a restaurant and kill seven people. Jack and Parry's paths cross, and they find themselves working together as each pursues their own Holy Grail. This is a film filled with imagery and emotion, social commentary and New York City humor. Director Terry Gilliam does a superlative job presenting this picture to us, guiding Williams and Bridges as they search within and around themselves for meaning. R for language, violence, and nudity.
FISTS OF IRON (R) 88 minutes 1/2 Paper-thin plot as Michael Worth attempts to avenge the death of a friend who fought a private "fight for pay" professional. Low budget, poor photography, and little in the way of acting or story. The only item of note is the appearance of Sam Jones, whom we haven't seen in awhile.
THE FIVE HEARTBEATS (R) 116 minutes * * 1/2 The story of the R & B group, The Dells, and their rise to fame. Things start off well here, but begin to drag after the first hour. Robert Townsend perhaps took on a bit much by serving as director, executive producer, co-writer, and leading actor. It works a little better on video, but it still runs a little long.
THE FIVE OBSTRUCTIONS (NR) 84 minutes * * * Documentary film director Jorgen Leth is challenged by his friend and fellow filmmaker to remake his short film "The Perfect Human" five times with varios obstructions that create new ways of looking at the idea. It's a fascinating look at the world of filmmaking and at two friends who are willing to explore themselves as well as their craft.
THE FIVE SENSES (R) 101 minutes * * * An exploration of life and love through the experiences of five characters. There's a heightened awareness of the senses and how they play a part in the way we relate to our world. The five stories weave together less in plot and more in sense of theme. Well-told and well-acted, it's a character study that asks for us to look at ourselves and see where we fit in. Definitely a nice change of pace. R for language and sex.
FLAGS OF OUR FATHERS (R) 123 minutes * * * The story of the men who raised the US flag at Iwo Jima, and what lie in store for them afterwards. Called heroes by many, it was a label that made them uncomfortable. Director Clint Eastwood does a great job with the emotional aspects of the film, including the use of the soundtrack he wrote for the film. The pacing does seem awkward in a few spots as the story moves into the post-war personal lives of the main cast. Still, it's a great companion piece to "Letters From Iwo Jima", also directed by Eastwood, both films reminding us that violence doesn't really solve conflicts. R for violence and language.
FLASHBACK (R) 105 minutes * * 1/2 Dennis Hopper is a "flashback" to the '60s all by himself. But as his character Huey Walker states in the film, "It takes more than renting a copy of "Easy Rider" from a video store to be a rebel." The costumes, dialogue, and music all contribute to the '60s feel of the film, but it just isn't enough. On the one hand, we're told that we shouldn't forget the '60s, that standing up for the oppressed IS worthwhile, and that nature is beautiful and needs to be preserved. We're also reminded that our consciousness as a society was raised by the events of the '60s because it was a violent and vital time. Conflict can really make you feel alive, and that is a great deal of what the '60s were all about. In the end though, we grow older and less rebellious, leaving vital changes to those who are younger, and who sometimes rebel against the rebellions of those who went before. It does make us wonder, but falls short of making a strong enough comment to stay with us. R for language.
FLATLINERS (R) 110 minutes * * * Nelson Wright (Kiefer Sutherland) has an idea. If he succeeds with his experiment, the questions we have about death will be answered. If he fails... well, he'll die. It seems like a fair gamble until he and the other four medical students who decide to help him make it into a game. It's a game with consequences they are only beginning to understand. This is a fascinating story that draws us in quickly and keeps us paying attention throughout the film. Philisohically, the film comes up a bit short and the characters appear satisfied with what they've learned, which is rather hard to believe. But the performances are intense and the photography and music are appropriately moody. Taut and suspenseful, this is a great entry in the genre of films that deal with death and dreams. Also starring Julia Roberts, Kevin Bacon, William Baldwin, and Oliver Platt. Filmed at Loyola University in Chicago. R for language, violence, and sex.
FLAWLESS (R) 104 minutes * * He may be a decorated cop, but he's a man alone, who doesn't know where to turn for help after a debilitating stroke. He has shut himself off from the world and may have to turn to those around him for help. They're more than willing, but they're also gay, and he hates gays. He's also out of options. Robert DeNiro struggles with this role. Some scenes work, but others are poorly directed and just don't work very well. Philip Seymour Hoffman comes off the best, managing to have the mix of emotions in his character that the film fails to capture as a whole. The mix of drama, comedy, and mystery is uneven in the film and despite Hoffman's solid performance, we finish watching this knowing that it should have been much better. R for language and violence.
FLED (R) 93 minutes * * * Graeme Revell's music really helps keep this suspense/thriller moving along nicely. Laurence Fishburne, Stephen Baldwin, and Salma Hayek work well together and the script gives us solid characters. There are the usual extremes that are hard to believe and no real surprises, but this is still a solid film with a well thought out ending. R for language, violence, and nudity.
FLESH AND BONE (R) 118 minutes * * The past has a strange way of coming back to haunt some people as Meg Ryan finds out in this suspense film. Unfortunately, it's rather weak on suspense. Meg Ryan and Dennis Quaid both do good work, but nothing you wouldn't expect from them. The film plods along to its rather strange and unsatisfying ending. Not sure what went wrong with this film, but it probably won't be a favorite. R for violence and language.
FLETCH LIVES (PG) 90 minutes * 1/2 Disappointing follow-up to "Fletch" that has Chevy Chase inheriting a southern mansion that is rather run down, to say the least. Throw in murder, religion, bad jokes, and stereotyped southern characters, and there you have it. Oh, and by "bad jokes", I don't mean ones that make you groan or that might be offensive, I mean jokes that just aren't any good. The story idea itself isn't a bad one, but it's been padded with so many useless scenes that it just doesn't work.
FLICKA (2006) (PG) 90 minutes * * 1/2 Alison Lohman stars in this adaptation of the book, My Friend Flicka by Mary O'Hara. Adopting a wild horse as her own, Katy (Lohman) struggles to make her father understand why it's so important to her. Maria Bello delivers an excellent performance as Katy's mother, in contrast to Tim McGraw's stiff and stale performance as her father. Lohman herself is adequate, as are the rest of the cast. The best parts are simply watching the horses run around the beautiful Wyoming scenery. PG for violence.
FLIGHT 93 (PG-13) 87 minutes * * 1/2 Dramatization of the events on United flight #93 that was the only plane on September 11, 2001 that did not reach it's intended target. It's a pretty straightforward telling, typical for a TV version of the story, based on the cell phone calls and statements of family members, flight controllers, and a few others. In one sense, it's very emotional, but that's all story as the performances and dialogue are lacking in depth. PG-13 for violence.
FLIGHT OF THE INTRUDER (PG-13) 110 minutes * * * I suppose you could call this a "Top Gun" without the Hollywood glamour, but it's really more than that. Adapted from Stephen Coonts' novel, it gives us a cross-section of military life toward the end of the Vietnam war. No gritty realism here, but no glossed-over romantic picture either. Consistent performances from Willem Dafoe, Danny Glover, Rosanna Arquette, and Brad Johnson make this a good picture for those who enjoy military drama.
FLIGHT OF THE PHOENIX (2004) (PG-13) 106 minutes * 1/2 Remake of the 1965 film about a plane crash in the desert where the survivors decide to make a new plane out of the wreckage of the old. The problem is that virtually none of these characters are likeable. Dennis Quaid is the pilot who has no room for compassion or dreams, Giovanni Ribisi is the arrogant pretender who is not what he seems... we have a spineless site operations manager, and several other works who just can't get along with each other. The result is that we don't really care much if these people get out of the desert. PG-13 for language and violence.
FLIGHTPLAN (PG-13) 92 minutes * 1/2 Kyle (Jodie Foster) gets on the plane with her daughter, but a few hours later, her daughter is gone. Where did she go? Was she ever there? Do we really care? Foster does a nice job here, which is no surprise, but the script is far too transparent and the flight crew too unrealistic. The music and photography work together well toward the end of the film to help create a suspenseful atmosphere, but it's a little too late by then. PG-13 for language and violence.
THE FLINTSTONES (PG) 83 minutes * 1/2 This is one of those films that has all the right look, but there isn't anything "inside". Wonderful props and costumes, and the cast, John Goodman, Rick Moranis, Elisabeth Perkins, and Rosie O'Donnell, all fit very well. The story is extremely weak, and kids are bored with it quickly. This mostly ends up being a curiosity item for those who are interested.
THE FLINTSTONES IN VIVA ROCK VEGAS (PG) 83 minutes * 1/2 Ignoring the first film's minimal efforts, this starts at the beginning, before Fred and Barney have met Wilma and Betty and tells the story of their friendship and marriage. The new cast makes little difference and the story is no better than the first. The sets and props remain the feature attractions and we'd still rather just watch the cartoon. PG for violence.
FLIPPER (PG) 91 minutes * * 1/2 Fairly standard animal film in this modernization of the Flipper story. Elijah Wood and Paul Hogan make this much more entertaining than it otherwise might be. The numerous scenes with no dialogue, although giving us beautiful scenery, don't do much to keep this moving along. Still, this does have a little more "heart" to it than some of the other animal films we've seen.
FLIRTING (NR) 93 minutes * * 1/2 The outcasts from two boarding schools in Australia meet and fall in love in this slightly offbeat film. The acting and the story itself are a little uneven at times, but it's a good film, with one of Nicole Kidman's earlier (and better) performances.
FLIRTING WITH DISASTER (R) 85 minutes * * Ben Stiller wanders around trying to meet his real parents, meeting all sorts of interesting people along the way. The problem is that the film has little sense of direction, and despite a talented cast, ends up floundering as it meanders through the insanity.
FLOWERS IN THE ATTIC (PG-13) 87 minutes * * Four children kept locked away in the attic of the family mansion by their evil grandmother. Louise Fletcher is perfectly cast as the grandmother, but aside from that and the somber music that does a nice job creating the atmosphere, this doesn't have much to offer.
FLUBBER (PG) 87 minutes * 1/2 Disappointingly mindless fluff, with a main plot that is almost non-existent. Professor Brainard (Robin Williams) has created flubber. More than flying rubber, it seems to have an intelligence and spirit all it's own. Of course we don't get to hear much about that or about the spirit of weebo, one of his robotic creations. It's too bad, because that track would be far more interesting to pursue. For the most part, Williams is wasted here, though without him the film would be in terrible shape. PG for language and cartoonish violence.
FLUKE (PG) 89 minutes * Awkwardly paced adaptation of James Herbert's novel about a man reincarnated as a dog who tries to reconnect with his family. More for adults than kids in some ways, but most adults will be bored with this because of how much it wanders around. And for those who wondered, Fluke is played by Comet, the dog from the Full House TV series.
FLUSHED AWAY (PG) 76 minutes * * * Roddy had it made as a pampered pet, but when a sewer rat shows up, Roddy finds himself flushed down the toilet and into the sewer. Sid is living it up in Roddy's place and Roddy has to learn how to survive in the sewers of London. Lots of little details including plenty of humor for the adults. The action is almost non-stop, so the younger set are enjoying this as well. The animation is good, though nothing outstanding. Hugh Jackman, Kate Winslett, and Ian McKellan provide some of the voices. PG for violence and language.
FLY AWAY HOME (PG) 103 minutes * * * Pacing is a little slow in spots, but Anna Paquin, Jeff Daniels, and Dana Delaney make this a joy to watch. Mark Isham's music is inspirational to say the least, but the effect of the gentle music during the opening sequences is what one could only call "unique". The message here is a little different from the standard, "if you love someone, set them free". Instead, it's the idea that when you love someone, you'll make the sacrifices it takes to help them fly. From the autobiography of Bill Lishman, PG for language.
FLYBOYS (PG-13) 130 minutes * * * They were the first fighter pilots, and a new breed of hero. The story of the Lafayette Escadrille and the young men who took to the air to fight a new kind of war. There are plenty of wonderful dogfight sequences in the film, which one would expect. What really keeps us watching though, is James Franco's low-key, yet intense performance as Blaine Rawlings. It draws us into the story and keeps us there, taking us through moments of anxiety, passion, and humor, and helping us understand the men who flew with the Lafayette Escadrille. PG-13 for violence.
THE FLYING SCOTSMAN (PG-13) 98 minutes * * 1/2 Designing and building his bicycle from scrap metal, Graeme Obree took the cycling world by storm, breaking records and winning race after race. Based on a true story, it's a formula sports-bio film that fans of the sport will enjoy and others will find OK. PG-13 for language.
THE FOG (2005) (PG-13) 96 minutes * 1/2 Spooky fog, creepy priest, unexplained deaths, weird symbols... and too many cheap noise scares! No real improvements over the 1980 version aside from some slightly better special effects. It's a bit of a puzzle why anyone would choose to remake this film in the first place. R for violence and language.
FOLKS! (PG-13) 103 minutes * * Jon's (Tom Selleck) mom ends up in the hospital and Jon then discovers that his father is senile. Now they have to live with Jon because his dad manages to burn their trailer. Taking care of parents isn't easy... neither is watching this film. Selleck never manages to really sell this story and the production values are definitely a few notches lower than most films. Don Ameche does a nice job here, but otherwise, this just doesn't have much to offer.
FOOLISH (R) 79 minutes * 1/2 Foolish (Eddie Griffin) wants to make it big, but his job as a stand-up comedian seems to be at a standstill. Griffin does a nice job here, but every time Master P (who wrote the story) step in, the film stalls. We needed to see more of Foolish and less of the foolish story that doesn't go anywhere. Griffin deserves better. R for language and nudity.
FOOLS RUSH IN (PG-13) 105 minutes * * 1/2 Matthew Perry and Salma Hayek star in this light romance about love and compromise. Story does a good job of hitting the essentials of what makes a marriage work, and Perry and Hayek work well together. Doesn't really pull us in all the way until the very end. Light fluff, but pleasant enough to watch. PG-13 for language.
FOR KEEPS (PG-13) 95 minutes * * A high school senior with a great future in journalism finds out that she's pregnant. Comic approach to a serious topic doesn't really work during the first half of the film, though things do get more serious toward the end.
FOR LOVE OF THE GAME (PG-13) 130 minutes * * * As one might expect from a movie starring Kevin Costner, this is a bit long. For most of the film we don't really mind this length, as the story of baseball pitcher Billy Chapel slowly unfolds. Costner fits into this character nicely, complemented well by the supporting performances of Kelly Preston, John C. Reilly, and Jena Malone. It's the story of a baseball legend who fights back after an injury, but whose time in the game may finally be at an end. It's hard when you've played for so long to make the decision to leave the game. Nice direction from Sam Raimi, though the ending doesn't seem to hit exactly the right note. PG-13 for language.